Laura Buckley: The Magic Know-How, Site Gallery
Plunging audiences into a landscape of video and light, The Magic Know-How is Laura Buckley’s 3D sound and light collage. Exhibited at Site Gallery, Sheffield from 10 August until 21 September.
Plunging audiences into a landscape of video and light, The Magic Know-How is Laura Buckley’s 3D sound and light collage. Exhibited at Site Gallery, Sheffield from 10 August until 21 September.
SHORT BREATHS is Brancolini Grimaldi’s first exhibition of work by Miles Aldridge to coincide with his major retrospective at Somerset House, I Only Want You to Love Me, (10 July until 29 September).
Showcasing the work of five new artists, SHOT is a collection of contemporary painting, reflecting on the place the form holds in the modern world. Running until 31 August at ARTECO Gallery, London.
Eternity is a Long Time, an exhibition devoted to the American artist, Mike Kelley, who helped trace out new avenues in the history of contemporary art is currently on display at HangarBicocca.
The Institute of Art and Ideas has released a new debate online with a panel of professionals including Courtauld scholar Julian Stallabrass, art historian Griselda Pollock and artist Sidsel Christensen.
The Royal Academy’s retrospective of the work of Richard Rogers is dedicated to exploring the conceptual strategies that shaped the architect’s evolving practice. In London until 13 October.
Shortlisted for the Aesthetica Creative Writing Competition 2012, Anna Wallace-Thompson is a Middle Eastern contemporary arts journalist who grew up predominantly in Dubai.
Complete Freedom, the first UK solo exhibition by acclaimed Syrian artist Khaled Takreti, presents a new body of mixed media and film works examining the validity of the term ‘freedom’.
Through collage, John Stezaker examines the subversive elements within found images, such as film magazines, vintage postcards and illustrations. Stezaker won the Deutsche Börse prize in 2012.
Incorporating a film and a series of new paintings into her latest exhibition at White Cube, Sarah Morris’ Bye Bye Brazil is named after Carlos Diegues’ ground-breaking film from the 1970s.
Shortlisted for the Aesthetica Creative Writing Competition, Nick Boreham writes poems and short stories which have appeared in a number of publications including Poetry Scotland and Equinox.
Natural Selection is a group show that focuses upon the tension between the man-made and nature. The eight artists use a variety of media including drawing, sculpture, photography and installation.
The great American photographer Edward Steichen took what were probably the first fashion photographs in 1911. Since then it has become a unique platform for commerce and creativity.
The James Barnor archive is the product of a career spanning more than 60 years. Barnor was born in Accra in 1929. He began his photographic career when he opened a makeshift studio in Jamestown.
In a celebration of contemporary art, outstanding works shortlisted from the Aesthetica Art Prize will be displayed in the setting of York St Mary’s – York Art Gallery’s contemporary art space.
Created last year, Ken Griffiths’ series of photographic portraits capturing people and places celebrates individuals who continue to make remarkable contributions to their communities.
Patricia Casey is an Australian artist whose work combines photographic montages with embroidery, to create complex images that are both seductively beautiful and psychologically unsettling.
American artist Cecil Gresham, works predominantly with DLSR and SLR photography, but also has a distinct painting style, absent of structure. His images incorporate an abstraction of facts.
Jo Holland makes photographic prints without the intermediary of either camera or negative, directly exposing the object through the focusing lens onto what becomes a unique lifochrome print.