Romuald Hazoumé still resides and works in his native Benin, using the land and the Republic’s history as a source of inspiration for his work

Public art, that which is produced for the passerby and within the public sphere, functions as a starting point for aesthetic discourse and interaction.

Situated on walls, the pavement, telephone poles, windows, billboards, trains, cars, houses – but rarely do we stop and look at it: urban art is ubiquitous.