The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly.
For his latest series Australian photographer, Murray Fredericks, travelled alone with a bicycle and trailer, carrying his large format camera and supplies to capture an area of Southern Australia in severe weather conditions; taking a physical and mental toll in order to collect the perfect frames.
Designed by Frank Gehry and having opened to the public in 2014, Fondation Louis Vuitton is now launching the second phase of its inaugural programme with an exhibition of work by artist and inventor of Little Sun, Olafur Eliasson.
Mapping the City is an innovative exhibition of works by over 50 rising stars and internationally recognised artists from the street and graffiti art scenes who seek to inspire their audience.
Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura works, takes viewers on an imaginative journey into science, philosophy and religion.
Thirteen large-format photographs from conceptual artist Hiroshi Sugimoto’s ongoing Diorama series, executed between 1976 and 2012, feature far-flung landscapes which initially seem to be documents of the natural world.
This exhibition in the Marais district of Paris looks at Bettina, the signature model of the 1950s, in photographs and sketches from an array of practitioners. The work studies her life, beginning with her childhood spent in Normandy.
This is to be the first UK exhibition dedicated to the artist Robert Heinecken (1931–2006), widely regarded as one of America’s most influential post-war photographers and a pioneer of 20th century photographic experimentation.
In collaboration with Foundation for Art and Preservation in Embassies (FAPE), Don Gummer is to present a sculpture for the US Embassy in Moscow, Russia, as part of its Site-Specific Collection.
For its 65th anniversary, Bloomberg New Contemporaries arrives at the ICA for the fifth time and selectors Marvin Gaye Chetwynd, Enrico David and Goshka Macuga have chosen works by 55 of the most promising artists emerging from UK art schools out of 1,400 submissions.
For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later.
Incorporating 16 “de-finition/methods”, as well as four new pieces, this collection of works by Claude Rutault is the artist’s first solo exhibition in America following an influential practice in France.
Renowned choreographer and dancer, Akram Khan curates the second in The Lowry’s Performer as Curator series, bringing together a personal selection of his influences in the form of sculpture, painting, photography, film, live installation and performance.
A new series of portrait photographs, transformed by embellishments, study the social territory of everyday encounters between strangers.
Brancusi: The Photographs features 29 vintage prints from the 20th century, produced by Brancusi, “one of the greatest artists of the Modern era” according to collector Martin Margulies.
From Henri Cartier Bresson to Martin Parr, Robert Capa and Raymond Depardon, the photojournalists of Magnum Photos immortalise 80 years of the history of Paris in 150 dazzling shots.
To mark the 70th anniversary of the end of the Second World War, this exhibition will explore how fashion survived and even flourished during wartime. across 300 innovative exhibits.
GRAD sparks new ideas by providing audiences with insights into Russian art, design and culture. Through costume designs and period photographs, this exhibition explores Bolt, Dmitri Shostakovich’s ballet written in 1931.
Hauser & Wirth’s gallery on Savile Row is a space that has been transformed in many possible ways, but this time the micro environment created for Pipilotti Rist’s show emerged as an unexpected -nevertheless pleasant- surprise.
On 7 February the Hammer Museum presents the first museum survey of LA-based conceptual artist Charles Gaines’ early work. The exhibition, entitled Gridwork 1974-1989, will feature 11 different series of over 80 works and relevant ephemera from the early years of Gaines’ four decade career.