Munich’s commanding Haus der Kunst provided a suitably grand backdrop for the recent, admirably comprehensive survey of ECM Records’ trailblazing work over the past 44 years.

Canadian, Glasgow based artist Corin Sworn unveils her new exhibition The Rag Papers at the Chisenhale Gallery today. This will be Sworn’s largest and most ambitious exhibition to date.

Entering photographer Peter Fraser’s retrospective exhibition is like holding a magnifying glass up to everyday life. Like a Master painter, Fraser pays great attention to composition, colour and light.

We catch up with longlisted Art Prize photographer D. Bryon Darby, whose work investigates perceptions of place as mediated through technology, photography, and personal experience.

Marco Sanges shoots a cinematic world of dreams and drama. Exhibited worldwide, Sange’s clients include Agent Provocateur, Vogue, Sunday Telegraph, Photo, Katalog, Dolce&Gabbana and Eyemazing.

Andy Kaufman was one of those mercurial types that we commonly refer to as a ‘genius’. This is owing to his ability to realise, beyond human experience, a new way to practice his craft.

Three new exhibitions have just opened at Margate’s seaside gallery, Turner Contemporary – Carl Andre: Mass and Matter, Rosa Barba: Subject To Constant Change and Turner: Turner’s Perspective.

British-born, Berlin-based artist Tacita Dean presents her new film project JG at the Arcadia University Art Gallery. JG is the sequel to FILM, Dean’s 2011 project for Tate Modern’s Turbine Hall.

9 Intervals is about dialogue. Dialogue between juxtaposing images, presented on two screens playing in tandem across the walls of Mother’s Tankstation Gallery from 16 January.

Saatchi’s Gaiety is the Most Outstanding Feature of the Soviet Union is a broad anthology of Russia’s contemporary cultural offerings. Lightness, is an element scarcely present within this latest show.

Estrangement presents four emerging artists whose practices and nationalities choreograph a sly line between identity, economy, politics and video art history. With work by Samuel Williams.

Kevin Cooley presents his stunning photographs from his Night for Night series in Aesthetica Issue 51. His largescale video installation, Skyward, is currently on show at Pierogi’s The Boiler.

It can be said that art can serve as a universal language. Lesley Dill applies literal meaning to art as a communicative agent by incorporating various forms of language into her multi-faceted work.

Concerned with observing the world, Kevin Cooley captures a profound and intense mood through his treatment of light, colour and object.

We spend some time with shortlisted artist, Damien O’Mara. The photographer will be exhibiting The Trespasser, which depicts suited men in places that are “off-limits” to people in corporate roles.

Juergen Teller’s Woo! is a showcase of the greatest work from Teller’s longstanding, unwavering career. One of the most recognisable about his work is his ability to portray subjects entirely stripped back.

Joy Division’s bass guitarist Peter Hook is in artist conversation at the MCA on Tuesday 5 February. Reflecting on the band he helped co-found and his new book Unknown Pleasures: Inside Joy Division.

Richard Wentworth presents an exhibition at the Lisson Gallery, London, from 30 January until 9 March. The British sculptor continually questions the way in which we approach the material world.

Bloomberg Space hosts an experiential exhibition, distanced from the streets just beyond its walls. Glacier by Charles Atlas, uses a 360-degree projection to create an immersive environment.

The Ultimate Form is a live action response to Barbara Hepworth’s work. It is a collaboration between choreographer Kenneth Tindall, designer Pam Hogg, and composer Stuart McCallum.