Alternate Futures
Gillian Wearing’s large-scale photographic installation at The Institute of Contemporary Art, Boston, is entering its final month.
Gillian Wearing’s large-scale photographic installation at The Institute of Contemporary Art, Boston, is entering its final month.
Jason Bruges Studio’s kinetic installation that creates dialogues between light, technology and urban architecture.
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Leeds Arts University has been formally recognised as the new title for Leeds College of Art, having been granted full university status by the Privy Council.
The selection for 2-3 December exposes realities about the contemporary experience, delving into current issues and holding up a mirror to society.
The December / January issue is about ideas. The notion that progress is continuous, and that we can change things if we want to, is a powerful statement.
Disrupting notions of the quotidian, Leandro Erlich’s practice employs optical illusions to create surprising visual works.
Experimental Dutch designer Joris Laarman and his team apply innovative digital technologies to the design process.
The four artists shortlisted for this year’s prize respond to the pervasive nature of information in the accelerating digital age.
The experimental landscape of Kate Bellm’s imagination is dreamlike and vivid, celebrating notions of youth, freedom and nature.
IWM North reflects upon the proceedings in the Syria. The four-part programme invites visitors to consider their association to the country.
International Center of Photography presents The Day the Music Died, British photographer Edmund Clark’s first solo museum exhibition in the US.
Lisson Gallery and The Vinyl Factory collaborate to present Everything At Once, a group exhibition condensing 50 years of artistic practice into one space.
Fotomuseum’s latest exhibition, Unwired, by Jacqueline Hassink, extends an interest in networks of global socioeconomic power in digital media.
Marguerite Humeau’s Echoes transfigure Tate Britain’s gallery space into a mesmerising yellow environment. that combines sound and sculpture.
Irene Scheinmann is an artist that ventures into digital worlds, combining bold, geometric forms with the open possibilities of technology.
Alex Da Corte’s BAD LAND transforms the architectural space of Josh Lilley Gallery, London, into a colourful three-dimensional film set.
The selection for 25-26 November investigates self-definition, uncovering what it means to be formed by experience, locale and popular culture.
