Interview with Ruskin Graduate, Natasha Peel
Graduating from The Ruskin in 2012, Natasha Peel has gone on to present works at Saatchi Gallery. Peel speaks to Aesthetica about the benefits of studying art and her interest in malleable materials.
Graduating from The Ruskin in 2012, Natasha Peel has gone on to present works at Saatchi Gallery. Peel speaks to Aesthetica about the benefits of studying art and her interest in malleable materials.
The RA Schools Show, the annual exhibition of works by final year students, opens tomorrow. Held in the RA’s studio spaces, the event sees students present works developed over a three-year period.
Renowned for his multi-media works, Haroon Mirza has taken over the adjacent Galleries 1 and 10 at The Hepworth. He brings together and assembles works constructed of sound, image and objects.
Situated away from the main exhibition space of the Giardini and Arsenale, the Icelandic pavilion sits in the tranquil gardens of Palazzo Zenobio along a quiet canal-front street at the Venice Biennale.
Whole in the Wall is the first UK solo exhibition by Palestinian artist Khaled Jarrar. Running from 20 June at Ayyam Gallery, the showcase of work includes a new site-specific participatory installation.
Darwin’s epochal observation at the close of The Origin of Species (1859) might aptly describe artist Katie Paterson’s theme and agenda in her latest exhibition, at Kettle’s Yard in Cambridge.
Love Me Love Me Not offers an insight into the rich and varied cultures of the countries represented. Running at the Venice Biennale until November, the showcase collates the work of 17 artists.
The RA Schools Show, the annual exhibition of works by final year students, will open on 19 June at the iconic Royal Academy Schools. The show is held in the historic studio spaces of the Schools.
Aesthetica speaks to Gilad Ratman, currently representing Israel at the Venice Biennale about politics, narratives and his project for the event. The Workshop is a five-channel video installation.
Artist Tavares Strachen talks to Aesthetica about science, the North Pole and the desire to fit in. Entitled Polar Eclipse, the Pavilion for the Bahamas makes for a rich, multi-sensory experience.
Asymmetrical Cinema is a fitting title for the unsettling cacophony of noise and image currently on show at Beaconsfield. The exhibition is curated by Dale Holmes and Kirsten Cooke.
Returning to Earls Court Exhibition Centre for its fourth edition, PINTA offers visitors the chance to view and purchase work by eminent artists from South America, Spain and Portugal.
The Workshop comprises a five-channel installation by Gilad Ratman. The piece interacts with the pavilion’s architectural structure to create a work that draws the viewer along on a narrative journey.
At Aesthetica we like to keep an eye on emerging artists, and one of the best ways to do that is to take note of the numerous degree shows open this summer. Here are our 10 favourite shows to see.
Curiosity: Art and the Pleasures of Knowing, an exhibition curated by UK editor of Cabinet magazine, Brian Dillon, has transformed Turner Contemporary into a labyrinthian cabinet of sorts.
Featuring 10 artists working over the past two thousand years, this exceptional exhibition visually investigates the theme of Italian philosopher Giorgio Agamben’s essay What is the Contemporary?
The 55th International Art Exhibition at the Venice Biennale is entitled Il Palazzo Enciclopedico. Curated by Massimiliano Gioni, 88 National participants will be exhibiting in the city of Venice.
Karla Black constructs large-scale, site-specific sculptures using amorphous yet everyday materials—from dirt, chalk, and dough to the powders, sprays, and gooey substances we use to coat our bodies.
Stephen Willats’ latest exhibit at Modern Art Oxford is a collection of works ranging from 1998-2013. Each work addresses his interest in the mediation of personal and interpersonal relationships.
