Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation.

Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for artists wanting to make a significant impact upon the art world today.

We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts industries, our judges lend their expertise to support the next generation of artists.

Austrian artist Franz West was a pioneer in viewer participation. He achieved worldwide fame with his furniture and sculpture for exterior and interior spaces, and his Passstucke (Adaptives).

The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously in a former Methodist chapel.

Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Griffin Gallery supports emerging artists through its diverse programme of shows and its annual art prize, Griffin Art Prize.

This summer The Hepworth Wakefield presents the first reinvention of Allan Kaprow’s Yard to be realised in the UK. First installed outside the Martha Jackson Gallery back in 1961, Kaprow’s seminal “Environment”, or “Happening” will be hosted by The Calder, The Hepworth’s newest space.

Marian Goodman presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries, Some Artists’ Artists showcases a multitude of voices.

Following its unveiling at the Venice Art Biennale last year, Ron Arad’s Last Train makes its way to London. Ron Arad opens his Camden studio to showcase the large-scale diamond engravings created by a range of artistic collaborations.

London-based artist, Tom Price, heads across the ocean for his first solo exhibition in the USA. Debuting new work at The Nelson-Atkins Museum of Art, his show explores the notions of presence and absence and the idea that these two states are dependent on one another.

Recently, Londoners and visitors might have found themselves sitting on concrete benches, which resemble half open books. Benches not only look like a book, they are fully dressed up by different depictions that resemble and celebrate the literary heritage of London.

The Royal Scottish Academy of Art & Architecture has unveiled the latest details of its £200,000 programme of support for artists working across the whole spectrum of the visual arts in Scotland. The organisation has a proud tradition of promoting excellence in contemporary art and architecture.

A group of six artists have collaborated to create a unique site-specific exhibition and performance piece on the island of Vardø at the extreme north-eastern part of Norway. Taking place in such a secluded location, only a few made a pilgrimage North from Oslo to experience the work on Vardø.

The Gemeentemuseum Den Haag presents ZomerExpo 2014 Light, the largest national sales exhibition held at the museum showcasing a selection of artworks from an open call registration.

One of the UK’s most ambitious art exhibitions, the third edition of Folkestone Triennial commissions a number of internationally recognised artists to create a collection of new works to be exhibited in Folkestone’s public spaces under the title, Lookout.

Phyllida Barlow is one of those artists who came under the spotlight after a long career and endless efforts. During the last decade her body of work has rapidly emerged and been showcased across the UK, Europe and the USA.

This presentation by Victoria Miro at Schloss Sihlberg considers the use of abstraction and repetition amongst the work of three artists: Conrad Shawcross, Yayoi Kusama and Idris Khan.

Laurent Grasso is an artist who divides his creative life between Paris and New York, so it is fitting that in September his work will take centre stage both at Paris’s Galerie Perrotin and at Sean Kelly in New York for solo shows.

Mobile phones, watches and other electronic equipment are forbidden within 512 Hours. Marina Abramović clearly wants this to be a purified environment, stripped of all the amenities that might console the idle mind.

With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place.