Historical Transformations
Mahmoud Bakhshi centres on the infamous Cinema Rex fire in Abadan, South Iran, as the focus of a new immersive installation.
Mahmoud Bakhshi centres on the infamous Cinema Rex fire in Abadan, South Iran, as the focus of a new immersive installation.
The Van Nelle Fabriek factory will play host to the eighteenth edition of Art Rotterdam, returning this February for a celebration of the industry.
Nathan Coley explores the ways that architecture reflects on and conditions the social environment at Parafin Gallery, London.
Thomas Dane gallery, London, hosts Kasten’s first solo, UK-based exhibition, introducing the medium of moving image for the first time.
Yorkshire Sculpture Park, Wakefield, questions what we know and understand about architecture in the group exhibition [Re]construct.
Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.
Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.
Perception, movement and the relationship between the viewer and their surroundings are central themes within Olafur Eliasson’s practice.
A festival-style exhibition delves into the storytelling roots of science fiction, a genre which has captures imaginations around the world for decades.
India Art Fair is South Asia’s principal showcase of contemporary art and a gateway to the region’s cultural produce returning to New Delhi from 2-5 February.
Located off the coast of Lanzarote, Europe’s first underwater museum lies in wait beneath the waves, the Museo Atlántico took two years to complete.
The idea of “negative space” is essential to British artist Oliver Beer, who confronts the audience with what is not there and highlights the emotional value of objects.
The highly artistic vision of Hong-Kong based Nadim Abbas is surveyed in Camoufleur, a site-specific installation combing camouflage and the public gaze.
Whitechapel Gallery is looking back and assessing Eduardo Paolozzi’s (1924-2005) spectrum of work across collage, sculpture and print.
Cortesi Gallery, Lugano, plays host to a selection of 29 pieces from the late Louise Nevelson, spanning two decades from the 1960s to 1980s.
Pace Gallery traces the artistic legacy of Keith Sonnier, exploring his career from early pieces in neon and mixed media, to a vibrant new series Ebo River.
Barbara Kasten’s restless innovation and unique artistic vision comes to the fore of Intervals, an exhibition that encompasses both historic and recent work.
At the BALTIC Centre for Contemporary Art, Gateshead, Bonvicini undermines the relationship between architecture and sexuality.
The psychedelic and experimental spirit of Yayoi Kusama is celebrated in a recent exhibition. Infinity Mirrors is an examination of her lasting legacy.
