The Imperial War Museum, London, illustrates the evolution of the anti-war movement, ranging from the activism of WW1 to the present day.

Georgia O’Keeffe returns to the Brooklyn Museum 90 years following her first solo exhibition at the gallery in 1927, offering new perspectives her legacy.

Roger Ballen aims to capture the full creative scope of a figure known for his investigations into the human unconscious.

You Say You Want a Revolution? Records and Rebels 1966-70 investigates the social and cultural significance of the decade through atmospheric installations.

Harold Feinstein, The Early Years (1940s-1950s): Contagious Optimism is part of a retrospective series looking back at his immeasurable talent and legacy.

The Future Remains: Revisiting Revolution from the Calvert 22 Foundation reflects on the nature of social transformation and of writing history itself.

Gillian Wearing’s Rock ‘n’ Roll 70 at the ICA, Boston, consists of digitally enhanced portraits in an investigation of technology and modern day society.

A major solo exhibition at the National Gallery of Victoria, Melbourne, showcases the work of Bill Henson, whose practice is characterised by powerful images.

William Eggleston Portraits at the National Gallery of Victoria, Melbourne, surveys the career of the ground-breaking American artist who is regarded as a pioneer of colour photography.

Throughout January 2017 Pipilotti Rist’s Open My Glade (Flatten) 2000-2017 is mounted across 60 synchronised electronic billboards in Times Square.

Fondazione Prada finally opens Osservatorio, a reconverted space dedicated to photography and visual languages.

2017 sees the 35th edition of Art Brussels, one of Europe’s most significant fairs. Since its inception, the festival has evolved into an influential event.

Who’s Afraid of Colour? at the National Gallery of Victoria, Melbourne, brings together over 200 creations from 118 indigenous Australian women.

Making Africa is a collaboration of over 120 artists who aim to provide a new insight into contemporary African design, celebrating its impact upon the art world.

Please Return Polaroid shares a rare insight into the technical processes of shoots: from storyboarding and initial ideas to the finished composition.

Anne Hoerter discusses the development of a practice based upon the intersection between still life painting and technology.

Celebrated in a major exhibition at Marian Goodman Gallery, Paris, the first in over two decades, Matta-Clark is showcased as a 1970s avant-garde legend.

The Donata Pizzi Collection is now revealing one of the widest representation of Italian women photographers ever exhibited in the last 20 years.

Stephanie Pfriender Stylander discusses the tensions between Eastern and Western culture and fragments of personal histories in her compositions.

Marking Magnum Photos’ 70th anniversary nearly 20 photographers come together to depict the refugee crisis since the second world war.