Illusory Enterprise
The third edition of Foto / Industria biennial looks at the wider effects of industrialisation and global development through contemporary photographers.
The third edition of Foto / Industria biennial looks at the wider effects of industrialisation and global development through contemporary photographers.
Over the past four years, Hayley Eichenbaum has documented the remnants of Route 66, resulting in the pop-coloured The Mother Road series.
Images from Benoit Paillé’s (b. 1984) Visions series consider artifice and natural life in juxtaposition, creating a dialogue with the landscape.
Delivering Flowers to Grandpa Jack, reflects upon Kovi Konowiecki’s home town, documenting people and places that create a sense of belonging.
Michelle Maguire and Kelsey McClellan translate the act of dining and fast-food iconography of Americana into innovative and visually satisfying compositions.
Metz + Racine specialise in still life photography and moving image. Fashion, interior design and fine art come together in an expansive mix of kinetic energy.
30 September – 1 October. These unique shows utilise the constraints of two and three-dimensional forms in order to recreate sensory experiences.
Foam Talent and Deutsche Börse Photography Foundation have decided to create a partnership under the banner of the Foam Talent programme.
Shadow Lines reflects on Jeanloup Sieff as an artist who challenges the limits of wide-lens & black & white photography to achieve a cinematic aesthetic.
The second edition of the Biennial of Photography in the Contemporary Arab World focuses on two countries in the Maghrib: Tunisia and Algeria.
Fashion and fine art embrace each other in the photography of Jacques Olivar, where the mise-en-scene often subtly references literature and film.
Viviane Sassen’s celebrated exhibition UMBRA comes to Fotografiska, Stockholm, following its success at the Nederlands Fotomuseum.
Andrea Grützner wins the ING Unseen Talent Award Jury Prize. Her work addresses how architecture acts as a metaphor for orientation or alienation.
Axel Hütte’s imagery, taken on various continents, surprises viewers with pictorial structures that place his work beyond the documentary.
Bildhalle takes René Groebli’s upcoming 90th birthday as an opportunity to honour the Swiss photographer with a comprehensive solo exhibition.
The Bitter Years – Edward Steichen’s last exhibition as Director of MoMA’s Photography Department – finds a permanent home in Luxembourg.
Cameron Williamson plays with proximity to allow for an orientation and subsequent image territory to form out of a spatial inquiry.
The Martin Parr Foundation is now set to open to the public this October in a purpose-built space in the Paintworks complex, Bristol.
Hull’s moment in the international spotlight as UK City of Culture 2017 offers a chance to reconsider the city as it is at this instant in time.
