Leeds College of Art: Colour Wheel
In 2016 Leeds College of Art celebrated 170 years of delivering art education. A final alumni exhibition brings the anniversary commemoration to a close.
In 2016 Leeds College of Art celebrated 170 years of delivering art education. A final alumni exhibition brings the anniversary commemoration to a close.
The inaugural edition of Photofairs San Francisco launches this January, expanding upon the photography showcased in the Shanghai fair.
The Aesthetica Creative Writing Anthology returns with a selection of extraordinary short fiction and poetry to spark the literary imagination.
In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.
Helen Marten has been awarded the 2016 Turner Prize, as announced at Tate Britain earlier this week, one of the best-known projects for the visual arts in the world.
Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.
Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
Taking domestic settings as a focus, Gregory Crewdson is a master of conceptual narratives played out within the environs of the everyday.
Finding intrigue within the strange intersections of the metropolis, Joust uses the lens as a witness to the shifting sense of culture from day to night.
Cristina Coral plays with uncanny compositions, featuring domesticated figures that become lost in neutralised corridors and unnerving bedrooms.
Portugal plays host to a gathering where architects and designers reflect on the spaces and systems in which we spend our daily existence.
The National Gallery of Victoria, Melbourne, explores Viktor&Rolf’s notion of wearable art through a selection of their most iconic works.
Lauren Marsolier’s style that alleviates the world of specific details. Perceptual compositions alienate viewers through bright and equivocal landscapes.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Electrolux at the Modern Institute, Glasgow, marks Lambie’s sixth solo exhibition with a new collection that recontextualises objects.
YSP hosts a collaborative exhibition by artist and academic, Nishat Awan. Migrant Narratives of Citizenship traces the route of the refugee crisis.
Why do we need art? The Museum of Old and New Art, Tasmania, puts this question into conversation in their thought-provoking show On the Origin of Art.
