Reflective Disillusionment
American Painting in the 1930s: The Age of Anxiety, at the Musée de l’Orangerie, Paris, feels topical in a year characterised – for many people – by uncertainty.
American Painting in the 1930s: The Age of Anxiety, at the Musée de l’Orangerie, Paris, feels topical in a year characterised – for many people – by uncertainty.
In conversation with Aesthetica, Dénesh Ghyczy discusses the nature of realism set against a digital world and embedded perspectives within compositions.
The Aesthetica Creative Writing Anthology returns with a selection of extraordinary short fiction and poetry to spark the literary imagination.
In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.
Art Stage Singapore returns for a seventh time in January, kick-starting the season and bringing together work from 108 exhibitors and 26 countries.
Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.
PHOTOFAIRS, The World Photography Organisation’s international art fair, comes to San Francisco for its first US edition, dedicated to presenting fine art photography.
The Griffin Art Prize is designed “to have a meaningful impact” on the career of one recent art school graduate, boosting the ambitions of an emerging painter.
Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
This year’s second edition of world-leading museum conference, Communicating the Museum proved one of the most interdisciplinary yet.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
Electrolux at the Modern Institute, Glasgow, marks Lambie’s sixth solo exhibition with a new collection that recontextualises objects.
YSP hosts a collaborative exhibition by artist and academic, Nishat Awan. Migrant Narratives of Citizenship traces the route of the refugee crisis.
The Lynn Painter-Stainers Prize was created to encourage representational painting. We speak to Emma Copley, who was selected for the 2016 exhibition.
