Lalla Essaydi’s Still in Progress at Leila Heller Gallery, Dubai, draws audiences into a modern-day harem that utilises photography to rewrite narratives.

Isaac Julien’s Looking for Langston (1989 / 2017) is a landmark film that explores the private world of poet, social activist and columnist Langston Hughes.

Finnish photographer Janne Lehtinen captures the individual and human aspiration of continuously wanting to push one’s boundaries.

Where are we marching? The future of protest is a day of debate running alongside IWM’s radical exhibition, Fighting for Peace.

Dundee Contemporary Arts, MIMA, MOSTYN, Nottingham Contemporary, The Hepworth and Turner Contemporary are shortlisted for Freelands.

Robi Walters’ practice encompasses a re-examination of collage. Utilising bright colours and overlapping textures, each piece finds beauty in everyday materials.

Michael Wolf’s weighted depictions of globalisation and growth come into question in Life in Cities, another exhibition at the 2017 Rencontres d’Arles.

Neil Libbert has been working as a street photographer for nearly 60 years; Michael Hoppen Gallery offers an opportunity to see the full range of accumulated works. 

Karine Laval: Reflections looks into the hazy, lucid memories of summer, re-appropriating analogue compositions.

Nelli Palomäki’s photography seeks to find new ways to interpret highly classical monochrome portraiture. Shared explores the complex theme of siblinghood,

Since last year’s presidential election, Richard Misrach (b. 1949) has been travelling around California, Arizona and Nevada, documenting occasions when people have done just that.

Devotional Document (Part I), at Nottingham Contemporary is Wu Tsang’s first solo show in the UK, evoking performative states of impossibility.

Annina Roescheisen’s What Are You Fishing For? immerses into the union between a young man and woman, exploring intimate contrasts.

Found in Translation: Design in California and Mexico, 1915–1985 is a groundbreaking exhibition about design dialogues between the two states.

Ancient futures is the theme of this summer’s Primavera, an annual event at the Museum of Contemporary Art Australia.

Virtually invisible at times and yet all pervasive, dust is the somewhat unlikely focus of a new exhibition at the Whitechapel Gallery, London.

Joris Laarman Lab: Design in the Digital Age brings together a myriad of works showcasing an unprecedented talent that has brought fictitious ideas to life.

In Lennette Newell’s Ani-human series, the gap between humans and animals is diminished, along with hierarchies imposed by digital technology.

The sixth edition of the Yokohama Triennale, Islands, Constellations and Galapagos, invites thematic connections across a variety of emotional concepts.

The five finalists of the ING Unseen Talent Award 2017 have been announced; an accolade set up to circulate the work of European practitioners.