Embracing New Disciplines
On the cusp of the RA’s 250th anniversary, From Life takes an inquisitive look at the tradition and its ongoing relationship with artists today.
On the cusp of the RA’s 250th anniversary, From Life takes an inquisitive look at the tradition and its ongoing relationship with artists today.
Murray Fredericks views the sublime landscape as a medium, using mirrors to build surreal, mesmerising compositions
Part of a generation racked by hyperactivity, Tina Barney captures the details of north eastern, suburban America.
Robert Irwin’s new immersive installation plays with notions of place by responding to the architectural forms of Sprüth Magers, Berlin‘s modernist gallery space. The exhibition…
Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.
The work of 19th century visionaries is the starting point for a new show at Foam, Amsterdam, which links photography’s inception with the modern day.
Cristina de Middel blends traditional documentary photography with fresh conceptual ideas.
Living in a village by the sea near Lisbon, Tesera Freitas started out as a designer with a camera. Her works offers a place where fantasy meet aesthetics.
In 1921, influential poet T.S Eliot spent time in Margate. A new show draws connections between The Waste Land and visual arts.
Candida Höfer investigates Mexico’s architectural and urban spaces, capturing the façades, floors and interiors of public structures.
Jeffrey Milstein’s aerial photographs provide new perspectives on the urban landscape through geometry, colour and form.
Ann Shelton’s body of work occupies the space between documentary and conceptual photography, investigating collective histories.
This Synthetic Moment brings together a diverse selection of artists using photography as a means to assert a strong sense of identity.
In an accelerating landscape, fresh ways of understanding the world become important. Bloomberg New Contemporaries offers insight.
Gerry Johansson’s images are devoid of human presence, yet reflect the lives of individuals in fresh and revealing ways.
A new exhibition questions how India’s past, present and future are represented from a female perspective.
YSP has consistently positioned itself within the arena of creative social change, a notion continued in a collection that, quite simply, makes a difference.
Conceptual artist He Xiangyu’s recent film, The Swim, captures the uncanny truths of the practitioner’s childhood home.
In an age of gratuitous image editing and fake news, it is hard to distinguish artificiality from reality. Alex Prager investigates this confusion.
