Opening to the public at the iconic City Factory venue on 31 May, Picturing Derry brings together, for the first time, some of the most iconic images of the troubles in the city in one exhibition.

Set in the serene St Mungo’s Museum of Religious Life and Art, photographer Liz Hingley’s Under Gods: Stories from the Soho Road provides an honest assessment of true multi-culturalism.

Stephen J. Morgan’s The Other Side of Everything is a striking series of images, documenting familiar places that uncover the artist’s journey as a second generation Irish boy growing up in Birmingham.

Stephen Willats’ latest exhibit at Modern Art Oxford is a collection of works ranging from 1998-2013. Each work addresses his interest in the mediation of personal and interpersonal relationships.

Curated by Domingo Milella and Bacarelli Botticelli, What is Contemporary? is open at Brancolini Grimaldi. The group show combines contemporary photography with works of art from the past.

Hans Josephsohn died last year at the age of 92. An example of his legacy is exhibited at YSP. We are given to understand that throughout his career, he drew on a 30 000-year-old figurative tradition.

BAFTA award winning screenwriter Matt Greenhalgh’s Supermarket Girl was a huge success at ASFF 2012. The short film follows the blossoming friendship between two supermarket workers.

The 53rd Krakow Film Festival includes the screenings of documentaries, short films and animations from across the world. Beginning on 26 May, the festival will run until 2 June.

Written and directed by Mark Davenport of Fishmonger Films UK, Photoshopping is a 15 minute dark comedy about Elaine, a woman striving to turn her hobby into a world record. At ASFF 2012.

The work of two leading world figures within the Land Art movement, Nancy Holt and Robert Smithson are on show at John Hansard Gallery, in a new exhibition England and Wales 1969.

Internationally renowned British artist Bruce Munro will open Light, an exhibition of 10 breathtaking, large-scale outdoor and indoor lighting installations coupled with indoor sculptures.

Daniele Tamagni, comes to ArtEco to exhibit a collection of works from 2007. Global Style Battles is a diverse selection of images, celebrating music and fashion in a colourful display of photographic skill.

All I Can is an exploratory film that compares the trials of big mountain skiing to the challenges of global climate change. Shot across six continents, the world’s top skiers deliver inspirational performances.

Michelle Arbon’s Above as Below follows the journey of a young soldier during his first experience of war. The film is inspired by the beautiful and harrowing poetry of the Second World War.

Michael Landy’s kinetic sculptures appear in Saints Alive, opening at The National Gallery. Inspired by works in the gallery’s collection, Saints Alive is the culmination of Landy’s recent residency.

Including eight commissions reflecting on language, rhetoric and speech, with performance, sculpture and digital media, A Small Hiccup explores communication through a variety of forms.

A research-based investigation, Reduction Study explores foreign accent perception in relation to social identity and cultural standardisation. The artist takes part in an accent reduction class.

Artistic duo Zhuang Hui and Dan’er exhibit their new work, 11 Degrees Incline, at Art Basel Hong Kong. Representing the Magician Space, Beijing, the pair have collaborated since 2005.

Filmmaker turned fashion designer and photographer Miles Aldridge has delivered seductive sirens silk-screened in an electrifying palette to the forefront of the fashion world for 15 years.

The enchanting nature of books is a childhood gift experienced long before we are able to understand the words on a page. This experience is something Oat Montien evokes in his first London show.