Pencil / Line / Eraser at Carroll / Fletcher takes its title from a work by gallery artists John Wood and Paul Harrison in which a pencil line drawn with one hand is simultaneously erased by another.
Part of the internationally-focused Harbourfront Centre, The Power Plant showcases the latest work from artists around the world. This summer it opens three exciting new exhibitions by Pedro Reyes, Vasco Araújo and Akram Zaatari.
Johny Dar approaches his artistic practice from an innovative angle, painting directly onto his models’ bodies. Dedicated to pushing boundaries, he works across fashion, installations, multimedia and events.
As much as it might seem provincial that non-western art is categorised by geography and ethnicity, Here and Elsewhere at the New Museum, New York, does justice to this grouping.
The World Photography Organisation and Montgomery announce the inaugural edition of Photo Shanghai – the first international art fair dedicated to photography in China.
One of Italy’s most significant post-war painters, Mario Schifano considered painting as an intrinsically human art form capable of capturing the lifeblood of contemporary culture.
The new 525m² Media Space of London’s Science Museum plays host to Spanish photographer, Joan Fontcuberta in a surreal show which challenges the authority of museum exhibitions.
Stepping into the Dubai based studio of acclaimed Syrian artist Tammam Azzam is a teleportation back to Damascus.
Abbey Walk Gallery, Grimsby, opens Easterlines today. The exhibition is a curated selection of work from the East Contemporary Art collection, founded by Simon Carter and Robert Priseman.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation.
In Family Secrets: Acts of Memory and Imagination, Annette Kuhn commented that a photograph should not be considered a ‘mirror of the real’ but ‘material for interpretation, evidence in that sense: to be solved, like a riddle; read and decoded, like clues left behind at the scene of a crime.
Henning Kreitel documents the surreal elements of reality. Shooting everyday scenes, his approach to lighting, angles and colours results in visually arresting and almost magical imagery.
Labelled by the Picture Post in 1938 “the greatest war photographer in the world,” Robert Capa spent the majority of his life capturing shocking war-torn landscapes.
The Akademie der Künste in Berlin examines the effect of art on reality itself, and how it is constantly adapting and transforming according to the viewer.
Maxime Delvaux and Kevin Laloux’s project, Box, is a compilation of dramatic scenarios constructed entirely from cardboard and miniature furniture.
Formento & Formento take the concept of street photography to the next level. The duo transform their chosen locations, which are bursting with cinematic beauty and brooding darkness.
As part of Aesthetica’s Special 60th Edition, we have partnered with London College of Communication to survey some of photography’s rising stars.
From the first images of the great metropolis to portrayals of the Midwest, a new exhibition addresses architectural photography as a window on social and economic crisis and progression.
Child’s play and the macabre world of Annette Messager appear in a retrospective exhibition at the Museum of Contemporary Art Australia.
