This year, 55 artists join the assembly of Bloomberg New Contemporaries, chosen by the UK organisation which supports emergent art practice from British Art Schools. New Contemporaries provides a critical platform for recent graduates.
This September, Rashid Johnson’s critically acclaimed piece, Dutchman, will run at Chicago’s Red Square Russian and Turkish Baths for five evenings as part of Performa 10 Years.
In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the LCC to survey photography’s rising stars.
The Museum of Civilizations, presented by GM Architects at Venice Biennale of Architecture 2014, has been nominated for an award at The World Architecture Festival in Singapore.
The 20/21 British Art Fair opens today at the Royal College of Art, London. It is the only fair to specialise in Modern and Post-War art, but also features work up to the present day. From 10-14 September.
City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing images of urban decay and deprivation. The season engages with conversations around architecture, planning and globalisation.
Most air traffic between London and Sao Paolo this summer was one way, well at least until the England football team limped out of the World Cup against Costa Rica on 24 June.
This exhibition currently on display is the first survey of works by David Farrell since his death last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro and the Rolling Stones.
Spanning nine months and encompassing five decades of the artist’s oeuvre from 1969 to 2014, You Can’t Keep Acid in a Paper Bag at KNMA is an iconic exhibition for several reasons.
The 31st Bienal de São Paulo is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them.
To celebrate its 10th anniversary, Dover Street Market holds The Next Ten Years: a series of events, installations and products. For the duration of September, the basement and second floor of Dover Street Market will be transformed.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery before it closes. The show marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s muse.
Rotimi Fani-Kayode was an influential figure in 1980s black British and African art, and although his career was cut short by his death at the age of 34, he is one of the most significant names in the history of black photography.
In his lecture The Culture of Violence in the Twentieth Century, Professor of European History Alan Kramer points out that, unlike the Germans, the English did not, during World War I, rely on prisoners of war as a labour force.
In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars.
Louise Bourgeois: A Woman Without Secrets on display at Middlesbrough Institute of Modern Art showcases the work of one of the greatest and most confessional artists of the 20th century.
The Aesthetica Short Film Festival is delighted to announce it is now a BAFTA recognised festival, an achievement that is unprecedented for a festival in its fourth year. Programme released in September.
Sam Eugène’s second solo show opens at Art Galleries Europe. A Digital Fauve introduces a brand new artist genre: Digital Fauvism. The form comes from the influence of les Fauves, a group of artists from the early 20th century.
The artists to be shortlisted for the Turner Prize in its 30th year are Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell. The Prize was founded in 1984 to promote discussion of new developments in British art.
