Schmied and Valiente are photographers whose focus has consistently been the social space. Both artists spend time living in the locations that they photograph, yet their approaches are very different.
The first major UK solo show of French photographer, Iris Della Roca, comprises a selection of prints taken throughout her six-year transatlantic series, which sees children born into poverty transform their lives through the lens of the camera.
There is a tension in Sarah Gillespie’s work between an otherworldly stillness and the innate energy of nature. Landscapes, birds and insects are captured with a sense of detail that arrests the passing of time.
Housed within the Henry Moore Institute the visitor finds a retrospective exhibition dedicated to the interlacing professional practices of Dorothy Annan (1908-83) and Trevor Tennant (1908-80).
Unlike many juried art fairs in the West led by a committee that evaluates the quality of work being displayed, the India Art Fair has been indiscriminately open to galleries across the globe.
In a major two-part solo exhibition at South London Gallery and Spike Island, French artist Isabelle Cornaro presents a series of installations which explore the cultural heritage attached to objects.
For her second solo exhibition, Mary Ramsden has created new abstract compositions that embed the tension between action and redaction, noise and quiet, attraction and repulsion.
Julio Le Parc’s solo show at Palais de Tokyo in Paris in 2013 was a blockbuster that the French capital will remember for a long time. Now, the artist presents his first major UK exhibition in London.
A student of Paul McCarthy, Jason Rhoades lived and worked in Los Angeles and built what he claimed was the world’s largest sculpture at the Deichtorhallen in Hamburg, Germany in 1999.
Now in its eighth edition, the UK’s leading artist fair, The Other Art Fair, opens on 23 April at its new location in Bloomsbury, London.
Starting on 6 February, The Hepworth Wakefield presents the greatly anticipated show and first museum survey of Lynda Benglis’ work in the UK, spanning the entirety of her impressive career.
Ken Schles has been making photographic books for over a quarter of a century. Now, his portrayal of his own home shows in 40 black and white photographs a gritty and penetrating view of 1980s New York.
Drawn By Light at the Science Museum’s Media Centre, London, showcases the extraordinary breadth of the Royal Photography Society’s collections, both historical and contemporary.
Three photographers, Nadav Kander, Boomon and Mona Kuhn, explore a complex and personal relationship between mankind and the landscape, reflecting upon our connection with, and impact on, the surrounding environment.
Chu Enoki presents his performance pieces of the 1970s, photographic works, exquisite, previously unseen drawings and his later sculptural works made with deactivated guns and cannons.
Viviane Sassen’s vibrant colours combine with abstract shapes and contorted lighting to create a surreal landscape where nothing is as it seems.
Matthias Heiderich explores urban environments, finding surprising angles and colours within cityscapes. His shots are framed in a distinct way, focusing on corners, sides and small sections of buildings. Consequently, he does not just record what he sees; rather he transforms the ordinary into dream-like spaces that suggest a futuristic universe.
A new exhibition at Mode Museum, Antwerp, curated by Dries van Noten, encompasses his wide-ranging influences in an intimate exploration of the designer’s creative process.
Working in both photography and filmmaking, Robert Harding Pittman questions the difference between what is deemed to be nature and what is natural. Through his image-work he considers the contrast between manmade constructions and organic growth, exploring whether humanity controls and interrupts evolution or is just part of the process.
