Figurative Illumination
Iván Navarro opens a new exhibition in New York in which layers of social and political depth are identified through sculpted silence.
Iván Navarro opens a new exhibition in New York in which layers of social and political depth are identified through sculpted silence.
Thames & Hudson’s encyclopaedic volume surveys the innovations of inspired practitioners from the 19th century up until the present day.
The National Gallery of Victoria, Melbourne, explores Viktor&Rolf’s notion of wearable art through a selection of their most iconic works.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
This year’s second edition of world-leading museum conference, Communicating the Museum proved one of the most interdisciplinary yet.
Pace London has announced American Classics, an exhibition of key works from photographers who emerged in post-war America.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
Electrolux at the Modern Institute, Glasgow, marks Lambie’s sixth solo exhibition with a new collection that recontextualises objects.
Acclaimed British sculptor, painter and ceramicist Bruce McLean is at Bernard Jacobson Gallery, London, charting an acclaimed and versatile career.
The work of American photographer Lee Friedlander, is at Galerie Thomas Zander, Cologne, featuring pieces taken over the course of the past five decades.
The Lynn Painter-Stainers Prize was created to encourage representational painting. We speak to Emma Copley, who was selected for the 2016 exhibition.
Why do we need art? The Museum of Old and New Art, Tasmania, puts this question into conversation in their thought-provoking show On the Origin of Art.
What do, and will, we remember of art? What of art in public places? What are biennials for – a small, inclusive elite, or the people of the cities that house them?
The artist comes to Galerie Thomas Zander, Cologne. A selection of new dye transfer prints are juxtaposed with recent large-scale colour images of interiors.
Club 57: Film, Performance, and Art in the East Village, 1978-1983 explores the scene-changing and interdisciplinary life of downtown New York.
Aspen-born photographer Chloe Sells has continued to progress, questioning the finite nature of our planet, our existence and the lines in between.
Robin Rice Gallery, New York, presents Echo and Convergence, an exhibition by Benjamin Heller. The show invites visitors into an expressive dimension.
