Collective Acts
On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.
On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.
The inaugural Nigerian Pavilion comes to the Venice Biennale featuring the work of three leading Nigerian artists and exploring themes of identity.
Jane Gottlieb’s compositions are a saturated depiction of cities and nature, reworking recognisable locations into hallucinatory snapshots.
Creatives from the 2017 Aesthetica Art Prize shortlist and longlist participate in a closing event at Future Now; hear from this year’s line-up.
This year’s Belfast Photo Festival challenges the colour binaries of pink and blue that are commonly assigned to newborns at birth.
Culture Shifts: Global at Open Eye Gallery explores the dynamic urban landscapes of Liverpool and Hong Kong as the cities seek to redefine themselves.
Sarah Perks (HOME, Manchester) delves into the various worlds of Artists’ Film, and the spaces in-between, ahead of a session at Future Now.
Future Now illustrates Aesthetica’s commitment to promoting emerging artists, offering portfolio review sessions with influential organisations.
kennardphillipps dig into the surface of words and images to visualise the connection between the oppressed and the political elites of the everyday.
Jean Davis paints abstracted figures placed in ambiguous settings. Her work focuses on themes of the impermanence of place and uncertainty of perceptions.
Ahead of a panel alongside Aesthetica, Corridor8 and Elephant Magazine, Christiane Monarchi expands on digitalised culture.
The finalists for Art Fund’s Museum of the Year have been announced including Tate Modern, The Hepworth and Sir John Soane’s Museum.
Yuge Zhou is a Chinese born, Chicago-based artist whose video and installation works explore the complex interactions between humans and their environment.
The status of the gallery is in flux, demonstrating why arenas for discussion such as Future Now are vital to making sense of the art world.
Ahead of Frieze New York, 5-7 May, the fair announces its plans for London’s largest outdoor exhibition, on view from 5 July.
Yeowoon Kim works with mobile art, presenting a new diagram of an image, alluding to imperfection whilst suggesting pixellation through the composition.
Artists have always used technology to redefine their work. But there are more practitioners working with code rather than “making” today.
Tate Britain reveals the Turner Prize shortlist for 2017: Hurvin Anderson, Andrea Büttner, Lubaina Himid and Rosalind Nashashibi.
This summer, Foam collates 120 works from the collection of The Gordon Parks Foundation into a comprehensive exhibition.
