The Diner is a celebration of a uniquely American design trope, evoking the mythology of the great US road trip whilst providing a functional space.

Surrounded by a tumultuous climate, Turkish-born photographer Fatma Bucak channels her Kurdish history through an exhibition at Fondazione Merz.

During the final weekend of New Orleans’ triennial, Prospect 4 will be answered by an unsettling echo from across the Mississippi from Kara Walker.

In a fast-paced world, time is valuable. In answer to this, Design Shanghai foregrounds simple and innovative solutions.

A new data-driven artwork by Aesthetica Art Prize artist Henry Driver is showcased as part of Collusion’s Bury St Edmunds project.

Showcasing the intricacies of architecture alongside contemporary photography, the city is awoken by annual outdoor festival Jaipur Photo.

The fourth edition of Photo London stages the past, present and future of the experimental medium which dominates visual culture.

In a culture defined by a continual stream of news, it is easy to become detached. The nominated projects reveal a human perspective.

Since 2011, Luca Tombolini has been drum scanning and printing on large scale prints, creating real-life scenes taken from long solo trips in remote areas.

Two major works by pioneering video artist Bill Viola investigate the element of water, using it as a metaphor to understand the human condition.

Marking a first in digital public art, striking Virtual Reality drawings made by multidisciplinary artist Nancy Baker Cahill are displayed on the huge digital billboards…

Juno Calypso invites viewers to become participants in an immersive installation, escaping from reality and into a cyber landscape based on western ideals.

Attila Olah is a Liverpool Hope University graduate whose practice revolves around symbolism, manipulating forms and pushing the boundaries of ceramics and ice sculpture.

The creative landscape is constantly expanding to welcome new approaches. The Armory Show offers opportunities for dialogue and discovery.

Two new projects from Christ and Gantenbein add to Switzerland’s landscape with an appealing mix of structural assurance and environmental sensibility.

At the age of 21, Jacob Riis arrived in New York, becoming preoccupied with documenting and improving living conditions.

Hirshhorn Museum and Sculpture Garden explores the iconic artistic landscape of the 1980s through a collection of subversive works.

United Photo Industries, Brooklyn, foregrounds work by Aesthetica Art Prize alumnus Claire Rosen, offering a twist on classical painting.

Zanele Muholi’s Somnyama Ngonyama questions the politics of race and representation through a series of bold, self-referential portraits.

Paul Biddle is an award-winning surrealist photographer who often makes use of found objects, or photographs of objects from museums.