Reginald Van de Velde’s images provide an oasis for reflection. A selection of reflective photographs will be showcased at the Aesthetica Art Prize Exhibition.

Reginald Van de Velde’s images provide an oasis for reflection. A selection of reflective photographs will be showcased at the Aesthetica Art Prize Exhibition.

Jane Gottlieb’s latest solo show is at the Art, Design & Architecture Museum at the University of California, Santa Barbara, until 29 April. We speak with her about the exhibition.

Dreamy doesn’t do justice to Maia Flore’s images, on show at Galerie Esther Woerdehoff, Paris. Au lieu de ce monde places physicality at the centre.

Hans Strand’s images, on display in Manmade Land at Fotografiska, Stockholm, highlight the tragic beauty of the curated landscape.

Returning with timely programmes, new exhibitors and a fresh layout, Frieze New York is an imaginative arena for the arts.

Panasonic’s immersive installation offers visitors the opportunity to experience pure air, highlighting issues of pollution.

Shortlisted artist Electra Lyhne-Gold questions the wider impact of advertising by fragmenting the language of publicity.

Photographer, researcher and archivist Dan Holdsworth uses high-tech software to examine the world’s changing natural topographies.

Examining the changing definition of architecture after modernism, Gordon Matta-Clark’s work offers insight into deconstruction,

An exhibition of works by Cindy Sherman focuses on existential ideas, exploring dream landscapes, fantasy worlds and deep-rooted fears.

Fernando Mastrangelo’s uncanny visual language bridges the boundary between the real and the imagined, offering a surreal experience.

From future cities to manufactured histories, exhibitions open 14-15 April surpass the temporal world to offer new visions of reality.

n a portfolio completed toward the end of her career, Diane Arbus invites us to look, uninhibited and free from the confines of society.

Ellen Jantzen unearths new states of reality through digital manipulation, looking beyond the surface to reveal new layers of meaning.

Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.

Finnish photographer Elina Brotherus combines her past with tropes from the history of art, forging personal and universal connections .

Lumen Prize are attending the Aesthetica Future Now Symposium to discuss how prizes help artists to develop. Carla Rapport expands upon the idea.

Francois Ollivier’s approach is based on wandering and accepting the impromptu, magnifying the most common things into the poignant or magnificent.

Mary Corse is known for an interest in notions of perception and celebration of light’s limitless potential; offering a new visual language.