Don’t forget, The Aesthetica Creative Works Competition closes for entries next Tuesday! We’ve decided to catch up with last year’s Artwork Winner, Shadric Toop. His…
Review by Elisa Caldarola Folk Form Taxa, Alex Bunn’s new show, opened last week at The Aubin Gallery in Shoreditch, London. Ten large light box…
As you know, The Aesthetica Creative Works Competition is now open for Entries, and it’s the only UK competition to support both creative writing and…
Theatre production companies take on the role of game designers as a growing immersion in multimedia alters expectations of entertainment.
In Your Presence is Required at Suvanto Maile Chapman presents an unnerving treatise on the effects of age on the body and isolation on the mind.
Wagner’s second novel to be translated into English is Silence: a genuinely gripping crime thriller with a psychological twist.
Death of an Unsigned Band is the new novel from Tim Thornton, offering a fly-on-the-wall insight into the trials and tribulations that face an unsigned band.
Super Sad True Love Story is full of brilliantly inventive language and Shteyngart’s trademark humour, which belies a poignant message for society.
In an intimate introduction, Creed lets the readers know his insecurities: “I don’t think I want to make a book of my work. I am scared to look at what I have done.”
The Beat writers and artists defined a post-War era that was rife with youth rebellion, Cold War politics and the disillusion of the American Dream.
Having exhibited in the Serpentine Gallery’s Indian Highway, Shilpa Gupta has drawn interest from both public institutions and collectors alike.
HFB is comprised of Dr. Alex Paterson of British electronic group, the Orb, and Dom Beken, who has worked with the likes of David Bowie and Placebo.
School of Seven Bells’ follow up to debut album Alpinisms is a electro-pop gem of digitised beats and dream-like qualities.
Multi-layered, engaging, robotic-electro combined with rustic rhythms and wired visions are just a handful of adjectives to describe Grasscut’s debut.
Ólöf Arnalds has a mesmerising voice. In her new album, this is given the perfect showcase with accompaniment consisting of harps, strings, and acoustic guitars.
Cinematic in its grandeur, the album expertly arcs from prologue to epilogue through 12 songs, sweeping from a modest instrumental beginning to climax.
Paying homage to early hip hop, disco, ska and dub, post-punk and girl pop from the 1960s through the 1980s, this album is a rich mix, choreographed to perfection.
You already know Born Ruffians. The track Hummingbird from their previous album, Red, Yellow and Blue (2008) is instantly recognisable.
