Review by Colin Herd The names of difficult-to-get-hold-of and in some cases discontinued-altogether photographic film have something of the poetry of a catalogue of obscure…
Review by Kenn Taylor A Sense of Perspective deals with the in between and the undefined, in a groundbreaking exhibition developed and curated by young…
Interview by Bethany Rex Nottingham Contemporary is one of the largest and most ambitious contemporary art spaces in the UK. Designed by Caruso St John…
Review by Sarah Richter a candidate for the MA in Art History at Richmond the American International University in London. Haven’t we all wondered if…
Review by Nathan Breeze If you’re a regular visitor to the V&A you would have noticed a gradual and ambitious series of renovations and expansions…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The space at Tenderpixel…
Review by Nathan Breeze Touring six major European culture halls, Liebestod was a cross-genre performance by the Amsterdam Sinfonietta exploring the interaction between Classical Music…
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Regina Papachlimitzou Yellow Wallpaper, inspired by Charlotte Perkins Gilman’s story of the same name, examines and unravels themes of spatial confinement, escape and…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Carla MacKinnon Wellcome Collection, a free visitor destination for the incurably curious has established an excellent name for itself as one of London’s…
Interview by Bethany Rex Clare Price’s new work represents a departure from the strictures of her previous work. Whilst adhering to the familiar formalist rules…
Interview by Bethany Rex Featuring works by Agata Agatowska, Geraldine Cox, Chris Dunseath, Sam Knowles, David Rickard and Chooc Ly Tan, Beyond Ourselves opens tomorrow…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The Victoria and Albert’s…
Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…
Review by Adam Harangozó Stepping into the exhibition, it’s immediately evident why it is called Critical Spaces. It is in a small room, and all…
Von Rydingsvard’s art is deeply personal, confronting the artist’s hardship. This essay is sensitive, yet critically engages with the works and presents an overview of the artist’s four decade career.
Presenting an intimate portrait of the lives of French farmers from the Forez region, on the eastern side of the Massif Central, In the Face of Silence is a powerful and emotive account.
With the die-cut stencils and stencil typeface this book provides, it’s tempting to go straight outside and start marking your territory, however there is a wider message at play here.
