Gary Hume: Flashback
This book accompanies the third exhibition in the Flashback series, in which early acquisitions from key international artists are juxtaposed with newer works from British collections.
This book accompanies the third exhibition in the Flashback series, in which early acquisitions from key international artists are juxtaposed with newer works from British collections.
This book is the incarnation of the group show at WORK gallery, which presents a whopping 24 artists from Simon Faithfull, and Paola Di Bello to Sophy Rickett and Simon Cunningham.
Boetti was one of the most innovative artists of the 20th century and a key member of the Arte Povera group.
Tina Chang creates images that transcend their component parts to create a world where fantasy and desire dominate.
American photographer, Bryan Schutmaat, is concerned with nostalgia and its representation within the context of the landscape of the American west.
In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.
“Touching stories picked from a wound. Positive angles wrenched from their sockets,” reads a pair of lines from Running Light: a text that accompanies Lis Rhodes’ exhibition of the same name.
A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.
The first comprehensive exhibition to examine how UK artists and designers have produced acclaimed works, from post-war to the present day.
Showcasing over 150 works, this major exhibition examines the diversity and complexity of art produced during the tumultuous 1980s, a transformative time for culture and society.
Inviting a close examination of artworks based on commonplace objects and situations, Lifelike is an international, multigenerational group exhibition.
Conversations: Photography from the Bank of America Collection is now on show at the Irish Museum of Modern Art.
Pointing a camera at a band isn’t really filming a concert; Adam Smith and Marcus Lyall tell us how they made the Chemical Brothers’ Don’t Think seem so real.
It’s hated by artists, ridiculed by label owners and seems to have outworn its welcome by nearly two decades. So why is the label Intelligent Dance Music still being used?
Jes Benstock chats about his latest film, which charts 40 years of sculptor Andrew Logan’s eccentric and kitsch Alternative Miss World beauty Pageant.
Meet the Staves: three sisters from Watford in their early 20s compelling talents. Their second EP, Mexico, features three delicately assembled ballads.
Puppet theatre is often associated with children’s theatre but can the dark honesty offered by inanimate objects connect with an adult audience?
Found Objects have been popular as a medium since Robert Rauschenberg began experimenting with the discarded and lost in the 1950s. The idea of making something out of nothing was intriguing.
Since its inception, The F.E. McWilliam Gallery has gained an impressive reputation for programming important retrospectives of Irish Modernists and innovative thematic exhibitions.