Laurent Grasso is an artist who divides his creative life between Paris and New York, so it is fitting that in September his work will take centre stage both at Paris’s Galerie Perrotin and at Sean Kelly in New York for solo shows.
Mobile phones, watches and other electronic equipment are forbidden within 512 Hours. Marina Abramović clearly wants this to be a purified environment, stripped of all the amenities that might console the idle mind.
Artistic duo Dalziel + Scullion explore the natural world in their innovative and immersive practice. A joint commission from Dovecot Studios and an Lanntair, the pair to produce Tumadh: Immersion.
With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. One & Other highlights the opportunities presented by the 2015 Aesthetica Art Prize awards.
A secret garden in the heart of a city becomes a space for rediscovering and celebrating the joy and freedom of childhood play, in a commission which brings together the talents of artists Morag Myerscough and Luke Morgan.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement.
When a nine-year-old girl’s character began to shape a work in progress by Sharon Lockhart, it was the unlikely beginning of an ongoing collaboration – whose results can be seen in a commission for the Liverpool Biennial.
Bob and Roberta Smith’s Art Party is due to open on 21 August. The feature film, produced with director Tim Newton and Stuart Cameron of Crescent Arts will be accompanied by a UK-wide Art Party hosted by key venues.
Art history is replete with romantic mythologies, few more potent than the artist as obsessive maker, working round the clock in his studio or in the landscape, as was the case with one of modern art’s most famous obsessives, Paul Cezanne, around whom Magnus Quaife’s solo show is framed.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. The event is Britain’s newest international art fair, showcasing work by artists from over 50 international galleries.
Henri Matisse: The Cut-Outs currently on display on the second floor of the Tate Modern brings together an extensive array of Matisse’s cut-outs from a long list of private and public collections.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios in London opened their private working spaces and courtyard to the public.
For the London Design Festival, Jeremy Maxwell Wintrebert has joined forces with Champagne Perrier-Jouët to create a unique glass piece called Human Nature to be installed at the V&A.
Memory Lane explicitly prompts memories as a result of reconstructed history through the means of art. It’s the series of photographs, Tito in War by Milomir Kovačević, that commemorates Tito’s portrait in after-war public spaces.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Her work refers to the endangerment of bees.
Lizzie Cawthray is challenging the outdated notions of knitwear with her fresh, stylish and playful company, Needle. After working as the knitwear product developer at LK Bennet, Cawthray decided to focus her attentions on the versatile material.
It has become a rite of passage for the contemporary poet: the attempt to rewrite classical – specifically, Hellenic – literature for the modern day. Yet though the projects seem comparable, their impulses are often wildly different.
Virginia Damtsa is a contemporary art dealer and the Co-Founder of Riflemaker gallery in London. Moving to Paris when she was selected by the Opera National de Paris to train for a career in dance, she studied in Belgium, New York and Cambridge before moving to London.
