Julie Cockburn
Julie Cockburn transforms second-hand objects and images to produce entirely new pieces, injecting new life into mundane and forgotten items.
Julie Cockburn transforms second-hand objects and images to produce entirely new pieces, injecting new life into mundane and forgotten items.
What should be a cut-and-dry kidnap plot by Detroit crooks Ordell and Louis soon goes amusingly awry in this adaptation of Elmore Leonard’s 1978 novel The Switch.
The spectre of a nuclear power plant looms large over the lives of the protagonists in this carefully constructed love triangle by Rebecca Zlotowski
Awash with colour, South London trio Dems unleash a brilliant debut in the form of the concise, emotive, Muscle Memory.
The 39th London International Mime Festival focuses on the spaces between theatre and dance, playing with language, and making the invisible visible.
Allan Karlsson has saved Franco’s life, watched A-bombs with Oppenheimer and danced with Stalin. Not that the folk in the care home know anything about that…
In a major survey at The Serpentine Gallery, German conceptual sculptor Reiner Ruthenbeck explores geometric forms found in everyday materials.
The primary coloured houses of the Northern Hemisphere stand out against washed-out streets, and even the most mundane objects become almost mystical half-disguised in the frosty weather.
Frank Gehry, an architect responsible for some of the world’s most visually and technically outstanding constructions, is celebrated.
William Helburn’s appreciation of feminine beauty, combined with his charismatic personality, resulted in a practice that saw him working with most of the top ad agencies in New York.
Contemporary art duo Jake and Dinos Chapman return to the town in which they grew up with previously unseen works and brand new commissions, in an exhibition at Jerwood Gallery.
Humans have shared a complicated and necessary history with animals. Loved or abused, these relationships vary greatly depending on our view towards each particular species. There are times where the importance of animals in the lives of humans is misunderstood or forgotten.
Guggenheim Abu Dhabi’s new exhibition introduces the future museum’s curatorial vision through a theme-based collection presentation, featuring artworks by 18 international artists from the 1960s to today and exploring the theme of light.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture.
Noise is Europe’s biggest open community for the best up and coming talent who want to break into the Creative Industries, network and self-promote with an online portfolio recognised by professionals.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as a top international art show.
Joachim Brohm rose to prominence in the 1980s as one of the first photographers in Europe to shoot exclusively in colour. Brohm connected colour photography with an “everyday cultural landscape.”
The Pompidou Centre looks to the work of Bernard Tschumi and unusually, perhaps because Tschumi espouses more theory than most, equal weight is given to both his finalised projects.
