Olafur Eliasson’s immersive installation, Riverbed, takes over and transforms the Louisiana Museum of Modern Art, in the museum’s first solo show.

Yann Demange’s debut feature film ’71 explores the universal anguish of war and civil conflict through its central character: a disorientated British soldier.

Ciara Phillips uses multifaceted techniques to interact with other artists, designers and local community groups.

The wild beauty of the Nordic landscape is brought to life in Sadler’s Wells new Northern Light season, celebrating dance from the northern hemisphere.

Ida is a stark portrayal of post-war Poland, challenging notions of religion and family bonds through a road trip undertaken by a Jewish nun and her Communist aunt.

Mish Way, front woman of fierce Vancouver outfit White Lung, meditates on her personal punk tenets for surviving and thriving in the 21st century.

Wysing Arts Centre celebrates its 25th birthday with a residency programme focusing upon ‘the future,’ exploring potential through what we know of the past. In response to an open call, more than 300 artists applied to take part.

Founded in 1984 by six recently graduated artists, the theatrical group have created numerous productions that have continued to play with language, staging, costume, lighting and the very nature of a performance piece.

In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising star.

The 16 October hosts the opening of Nabil Nahas’ new exhibition in London. The title of the exhibit, Phoenix Dactylifera, derives from the artist’s heritage and is the name of the native Date Palm tree from the Middle East.

The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists across the world.

The work of the late photographer Francesca Woodman is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences.

The Fondation Louis Vuitton is a new Parisian centre for contemporary French and international artistic creation, contained within a building commissioned by Bernard Arnault, and designed by the American architect Frank Gehry.

In 60th edition of Aesthetica we celebrated emerging photographers from LCC, highlighting those shaping the future of lens-based practice.

In 2010, David Chancellor won the Taylor Wessing National Portrait Prize with his iconic portrait of fourteen year old girl, Josie Slaughter, riding horseback with her trophy of a hunted dead buck.

For 10 years Berwick Film & Media Arts Festival has continued in its aim to turn the small northern town into one big screen. Festival-goers have been given the opportunity to watch hundreds of international film premieres in a plethora of unique settings.

Open for Business is a vast collection of over 100 dynamic and diverse images from nine leading Magnum photographers, including Martin Parr, Chris Steele-Perkins, Stuart Franklin, David Hurn and Peter Marlow will provide a behind-the-scenes look at contemporary manufacturing in the UK.

The Marseillaise(s) / fifteen years of collecting focuses on the development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels.

Within the space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife.

Taking over the third floor of The Wapping Project Bankside’s Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.