Known for his multi-didactic works that go from staging group therapies to theatre plays, Pedro Reyes is constantly renovating his oeuvre and exploring new ways of involving the audience.
In the summer of 1970, a young Gabriele Basilico – “before he was Basilico”, set out from his parent’s house in Caorle on the Venetian Riviera for Kabul. Little did he know he would become a genius for freezing moments of haunting beauty in the unlikeliest places.
For his first US museum survey outside of California for 40 years, this new exhibition displays Robert Irwin’s work from 1958-1970, a time in which the artist developed dramatically.
The Women in Photography panel at The Photography Show 2016 will bring together Max Houghton, Marcia Michel, Vicki Churchill and Juno Calypso in a discussion about the industry.
Karen Thomas (b.1963) is acclaimed world-wide for her pop-culture figures and loosely dynamic painting style. We speak with the painter about her distinguishable style and recent projects.
Photographer Maroesjka Lavigne’s latest exhibition Land of Nothingness is currently on view at Robert Mann Gallery, New York. Lavigne’s second show with the gallery invites viewers to step into the unforgiving landscape of Namibia.
Concerned with the disintegration of humanity, Goshka Macuga (b. 1967) poses fundamental philosophical questions in his contemporary artistic practice, including a striking address to the inevitable aspects of life. Fondazione Prada presents the Polish artist’s solo exhibition To the Son of Man Who Ate the Scroll, until 19 June.
Coinciding with Manchester’s Year of the Monkey celebrations, the CFCCA launched its 30th anniversary programme in February. We speak to curator Ying Tan about the centre’s commitment to representing Chinese arts in the UK.
Hauser Wirth & Schimmel launches its new gallery in Los Angeles with the Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016.
Revealing the extent and impact of William Henry Fox Talbot’s pioneering experiments with photography, London’s Science Museum presents a major new exhibition on the rise of a medium.
The Singapore Tyler Print Institute will unveil The River is Within Us, the first solo exhibition of UK-based artist Shirazeh Houshiary in Southeast Asia.
KARST’s white gallery warehouse is preoccupied by surfaces in its latest seven person show. The Earth is Our Radio draws on all manner of barriers, boards and blockades, with tell-tale markings of run down urban environments and revalued economics.
BALTIC presents the first solo UK exhibition by Omer Fast, best known for his video works that question the conventions of storytelling, media reportage and historical representation.
Taking place in New York City, from the 3-6 March, The Armory Show represents an essential event in the artistic calendar. The 22nd edition features emerging and established artists, represented by 205 galleries from 36 countries worldwide.
Wellcome Collection has opened the second part of a year-long exploration into human consciousness. States of Mind examines the universal topic of conscious experience. We speak to the curator.
Michael Simpson’s Flat Surface Painting at Spike Island, Bristol, is rooted in a fascination with Venetian and early Flemish painting, questioning the nature of painting itself. We review the show.
American artist Robin Kang (b.1981) threads nuances between technological advances and the history of the textile industry via Jacquard loom handwork and patterned circuitry imagery.
Robyn Saurine’s art is influenced by experiences and travels in the Australian Outback, Asia and Italy. She explores the world of texture, portraiture, stylised drawing, colour and collage.
The Whitworth brings Ben Rivers’s most ambitious work to date to Manchester. We speak to Mary Griffiths about Rivers’s film that migrates between the realms of documentary, fantasy and fable.
Brittany Nelson’s medium of choice is the tintype, a unique direct-positive exposure used for portrait photography. Tintype in the 1850’s was the foremost technological advancement in photography, and Nelson adds a further dimension to this process, combining it with 21st century practices and bringing it into the purely material realm.