Negative Space
Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.
Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.
The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.
Brooke DiDonato pairs human experiences with uncanny visual elements and invites the subconscious into a playground of domestic settings.
Wayne McGregor, Olafur Eliasson and Jamie xx transform Jonathan Safran Foer’s book into an event that transcends individual disciplines.
J Bennett Fitts’ images display contrasts between urbanity and nature; saturated blues are placed against the muted palettes of utopian structures.
Ricardo Bofill’s La Muralla Roja in Alicante pays homage to the Arab Mediterranean, in particular to the adobe towers of North Africa.
Innovative photographic duo JUCO’s material provides an explosion of energy and blurs the lines between fine art and commercial assignments.
Reginald Van de Velde’s photographs provide an oasis for reflection on the passage of time, offering a new perspective on abandoned settings.
A new publication from Phaidon highlights the shifting relationship between architecture and natural forms, taking the land as inspiration.
In Anna Di Prospero’s Urban self-portrait series angles of contemporary cities reach an intriguing equilibrium with expressive bodily contortions.
Aaron Feaver’s infectious oeuvre snapshots youth with optimism and compositional air. Bold, indulgent palettes reflect the lifestyles within the frames.
In the hidden depths of Australia’s most extraordinary museum, United Visual Artists uncover the lineage of creative expression.
Three major international fairs not only showcase new innovations in design but demonstrate the changing dynamic of art and commerce.
From established to couture brands, Scandinavian designers are gearing traditional ideas of timelessness and practicality towards sustainability.
Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.
Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.
An investigation into the relationship between narrative and imagery characterises the work of American artist Lisa Oppenheim.
On the occasion of Arte Fiera, MAST Foundation opens Work in Motion: The Video Camera’s Eye on Social and Economic Behaviour.
Two newly commissioned pieces by Patrick Hough and Lawrence Lek are premiered as part of the Jerwood/FVU Awards 2017.
