Grayson Perry: Provincial Punk, Turner Contemporary
Turner Contemporary’s exhibition surveys Grayson Perry’s career from his earliest watercolours to his latest architectural project, showing him as an unflinching commentator on society and art.
Turner Contemporary’s exhibition surveys Grayson Perry’s career from his earliest watercolours to his latest architectural project, showing him as an unflinching commentator on society and art.
In a selection of previously unseen collaged and painted sketchbooks, rarely seen super-8 films and recent tapestries, this show follows the development of ‘provincial punk’ in the early 1980s
Turner Prize-winning artist Grayson Perry presents a provocative and fascinating new exhibition which makes us question identity in modern day Britain. Perry has become a celebrity on the modern art scene, regularly presenting a refreshingly subversive view of British life.
A series of six unique tapestries by Turner Prize winning artist Grayson Perry are to be woven throughout the historic setting of the Tudor-Jacobean Temple Newsam House as the final location of the exhibition’s UK tour.
Grayson Perry’s recent work is inspired by Hogarth’s 18th century series, A Rake’s Progress. Perry has applied the narrative to contemporary society, and executed it in the form of six tapestries.
Standing in the entrance of Grayson Perry’s exhibition at the Victoria Miro gallery I find myself caught between two images. On the left, a child is cradled in the arms of a young mother.
Taking advantage of my friend’s car, I escaped the city this weekend to visit the unique environment of Yorkshire Sculpture Park. It’s a fantastic summer…
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Grayson Perry is a chronicler of contemporary life. A new show highlights the artist’s early works, exploring gender, identity and class.
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