The Formation of Identity, Shilpa Gupta: Someone Else, Arnolfini

In her first major solo exhibition in the UK, Shilpa Gupta uses an eclectic variety of media to explore some of the themes most central to her work: censorship and script as tools of communication.

Public Faces and Private Lives, Gillian Wearing, Whitechapel Gallery, London

Gillian Wearing’s early investigations of public faces and private lives predate Big Brotherand Twitter, and in this Whitechapel survey the work appears both pioneering and slightly archaic.

Samuel Levack and Jennifer Lewandowski, Danse-moi vers la fin de l’amour, French Riviera, London

Danse-moi vers la fin de l’amouris the culmination of a project by the artists Samuel Levack and Jennifer Lewandowski. The project explores the freedoms that result from the hedonistic ritual of dance.

A New Space for the Creative Community in the North-East, BALTIC 39 Opening, Newcastle-upon-Tyne

BALTIC 39 is a new hub for Contemporary Art in Newcastle upon Tyne opens to the public on Friday 6 April. Aesthetica spoke to BALTIC Director Godfrey Worsdale on the gallery’s recent success.

The Art Collective | Gallery 40 | Brighton | Interview with Finn Dean

There is a lot of bitter chatter about public funded arts organisations at the moment. There’s the much contested ACE capital-funding programme, rumours of the…

Q&A: Edinburgh Art Festival Director, Sorcha Carey

Edinburgh Art Festival announces its programme for its ninth edition. Taking place in more than 30 of the city’s museums, not-for-profit and commercial galleries, EAF will feature over 45 exhibitions.

Roger Ballen, Shadow Land: Photographs 1983-2011, Manchester Art Gallery

Currently showing at Manchester Art Gallery is Roger Ballen’s first major solo exhibition in the UK, representing three decades of Ballen’s photography.

Raw + Material = Art

With an insightful introduction from Tristan Manco, the stage is set, and the artists are profiled and their practice discussed in great detail.

Tate Britain Commission 2012: Patrick Keiller, Tate Britain, London

Patrick Keiller’s most recent project brings the imaginary to life in a very real and concrete way. Robinson, the enigmatic scholar, seeks to explain the current economic and social condition.

I Myself Have Seen It: Photography and Kiki Smith, Scottsdale Museum of Contemporary Art, Arizona

I Myself Have Seen It: Photography and Kiki Smith is the product of a decade-long conversation between independent Curator Elizabeth Brown and the artist, examining a little-known body of work.

Matthew Picton: Urban Narratives, Sumarria Lunn, London

Cities are often described as living organisms; viewed as subject rather than object. Matthew Picton engages with this traditional of humanising the city by deconstructing the clean.

Daytime TV | David Hall: End Piece…, Ambika P3, London

David Hall is a formative figure in time-based art. Credited with introducing the term “time-based media” into circulation, he followed this by creating the first British course in the subject.

The Formal Language of Protest, Tina Hage: Gestalt, Tenderpixel Gallery

Tina Hage is a London-based artist. She grew up in Düsseldorf and studied at the Academy of Media Arts in Cologne until 2004 and then completed her Masters in Fine Art at Goldsmiths in 2009.

The AIPAD Photography Show New York Opens

The 32nd edition of The AIPAD Photography Show New York will open this Thursday 29 March. It promises to be a fantastic show with new work by Philip-Lorca diCorcia from David Zwirner.

Excessive Beauty, Sebastião Salgado & Per-Anders Pettersson: AMAZON, Gallery of Photography, Dublin

This month Dublin’s Gallery of Photography plays host to the work of two esteemed photographers – Sebastião Salgado and Per-Anders Pettersson.

Massimo Nolletti, Bar Lane Studios, York

Massimo Nolletti’s exhibition is a wonderful celebration of the sounds and vibrations of everyday life. This series of work represents the endless possibilities of photography in an urban setting.

Celebrations of the Strange, the Pathetic and the Morbid, Glamourie, Project Space Leeds

An immobile red hatchback, front smashed against a skewed road sign, blares out hypnotic and maniacal club anthems from its boasting stereo system.

A Pilgrimage of Self-Discovery, Idris Khan: The Devil’s Wall, Whitworth Art Gallery, Manchester

Born into a Muslim family in Birmingham in 1978, London-based artist Idris Khan decided to stop practising Islam when he was fourteen years old.

Mark Storor: a tender subject, An Artangel Commission, Secret Location, London

“Do you hear me?” echoes a haunted voice in a vacuous subterranean space while a man crouches in a cell unable to escape the persistence of the creeping and persistent speaker.

Birdhead: Welcome to Birdhead Again, Paradise Row Gallery, London

Birdhead’s concern is the flow of power from West to East, as gauged by that thriving metropolis of ever increasing scale, life and culture: Shanghai.