Venice Report: The Encyclopedic Palace
Split between the old Giardini and the newer Arsenale site at this year’s Venice Biennale, The Encyclopedic Palace is based on the concept of self-taught artist Marino Auriti. Until 24 November.
Split between the old Giardini and the newer Arsenale site at this year’s Venice Biennale, The Encyclopedic Palace is based on the concept of self-taught artist Marino Auriti. Until 24 November.
For its summer exhibition, the Robin Rice Gallery, New York, opens Summertime Salon, an annual photography exhibit featuring both gallery artists and a selection of newcomers.
The majority of Patrick Caulfield’s work sees his gaze turned towards the croissant-and-orange-juice world of 60s, 70s and 80s pan-European glamour. At Tate from 5 June until 1 September.
Graduating from The Ruskin in 2012, Natasha Peel has gone on to present works at Saatchi Gallery. Peel speaks to Aesthetica about the benefits of studying art and her interest in malleable materials.
Sculpture in the City shows works by Robert Indiana, Jake & Dinos Chapman, Antony Gormley, Keith Coventry, Richard Wentworth, Shirazeh Houshiary, Jim Lambie and Ryan Gander across London.
Upon entering the light-filled Shoreditch art gallery, the visitor is welcomed by a vibrant display of canvases painted in bold colours, whose imaginary characters roam an array of whimsical landscapes.
Fellini – The Exhibition expands the influential filmmaker’s universe and uncovers the sources of his fertile imagination. 20 years after his death, EYE, Amsterdam opens this show on 30 June.
Vadim Zakharov’s Danaë at the Venice Biennale represents the first time in the history of the Russian pavilion that the upper and lower storeys have been combined into a single installation.
This year sees innovative company, Secret Cinema, providing a boundary-pushing venture for five fruitful years, which fully immerses the audience into the world of a film. We speak to Fabien Riggall.
The RA Schools Show, the annual exhibition of works by final year students, opens tomorrow. Held in the RA’s studio spaces, the event sees students present works developed over a three-year period.
Renowned for his multi-media works, Haroon Mirza has taken over the adjacent Galleries 1 and 10 at The Hepworth. He brings together and assembles works constructed of sound, image and objects.
The 66th British Academy Film Awards announced Searching for Sugar Man as the Best Documentary of the Year. It is a touching and highly-emotional documentary by Malik Bendjelloul.
Situated away from the main exhibition space of the Giardini and Arsenale, the Icelandic pavilion sits in the tranquil gardens of Palazzo Zenobio along a quiet canal-front street at the Venice Biennale.
Below the sleepy streets of Verona, sits the International Centre of Photography. It is here where a breath taking transcendental retrospective of René Burri is revealed until 22 September.
Whole in the Wall is the first UK solo exhibition by Palestinian artist Khaled Jarrar. Running from 20 June at Ayyam Gallery, the showcase of work includes a new site-specific participatory installation.
Jonny Briggs graduated from the Royal College of Art several years ago and has since gone on to feature in numerous solo and group exhibitions. Briggs speaks to Aesthetica about the influence of the RCA.
The Danish pavilion at the Venice Biennale stands as a rather desolate figure among the well-tended buildings surrounding it. The apparent entrance is a door that stands permanently shut and unattended.
Paper Weight Genre-defining Magazines 2000 to Now takes a refreshing look at independent publishing in the 21st century. Opening today, the show runs until 27 October at Haus der Kunst.
Darwin’s epochal observation at the close of The Origin of Species (1859) might aptly describe artist Katie Paterson’s theme and agenda in her latest exhibition, at Kettle’s Yard in Cambridge.
