One of the main programmes for the 60th International Short Film Festival Oberhausen, Memories Can’t Wait – Film without Film, will bring together works that take place in a cinema but play with the normal viewing situation.

Don’t let the title, Elegance in an Age of Crisis: Fashions of the 1930s, fool you. These calm, classically proportioned clothes have nothing to say about social or economic upheaval.

Since the 10th Unilever Turbine Hall commission at Tate Modern back in 2009, this is Miroslaw Balka’s first solo show with new works in London and his fourth at White Cube gallery.

In the booklet of his new album, Mutations, Vijay Iyer states: “our intent, as players and observers, is to place ourselves fully in the moment with sound.” This desire was perfectly executed at the European Premiere of the record at Haus der Kunst, Munich.

Living in today’s world of gratuitous violence, high technology and professionally formulated plans for the future one may not find it surprising that our methods and ideas have historical roots in Fascism.

Artist Burak Delier’s exhibition Freedom Has No Script including a new commission by Iniva opened at Rivington Place last week. The artist explores the relationship between capitalism and art.

German artist Sybille Neumeyer was announced as the winner of the Main Prize for the Aesthetica Art Prize 2014 at the exhibition preview last night. Her stunning light installation Song for the Last Queen is comprised of 7,614 bees.

The Aesthetica Art Prize 2014 launches today. In anticipation of tonight’s opening, we speak to last year’s winner Damien O’Mara who took home the Main Prize award with his photographic piece.

Helen Paris is a picture of elegance in this new performance from Curious. In fact, the entire piece is elegantly carved: with deep red furniture, black dresses and classical overtures, it’s the very epitome of a Sunday Times afternoon.

This year’s Prix Pictet exhibition will go on show at the V&A in London. The show marks a collaboration between the Prix Pictet and the V&A museum, which was the first museum in the world to begin collecting photography as an art form.

Newly extended due to popular demand is Hello, My Name is Paul Smith at London’s Design Museum, that will run until 22 June. Looking at the work of this British Designer, the exhibition highlights an impressive selection of work.

The Aesthetica Art Prize Exhibition opens this week at York St Mary’s. Celebrating innovative and outstanding artworks, the display features shortlisted pieces from international artists.

Barrie Dale is a primarily a scientist, but is also known for his painting and his music. All around him he sees nature being destroyed, to the point where it is possible to envisage none being left, so he became a conservationist.

Incorporating drawings, models, sketches and collages, Bernard Tschumi explores the detailed and lengthy process of design involved in architecture.

The UK’s original contemporary graphic arts festival, Pick Me Up, returns for the fifth year. Celebrating graphic art in all its various formations, the event transforms Somerset House.

It’s one of life’s niggles that food never looks quite as good as it does in the picture. Be it glamorised packaging or botched recipe attempts, so often one is left thoroughly underwhelmed.

Video artist Julia Weißenberg is one of eight finalists selected for exhibition in the Aesthetica Art Prize show, taking place at York St Mary’s – York Art Gallery’s contemporary art space.

After the devastation caused by World War II, Britain was in desperate need of optimism and re-development. During the course of the war Britain suffered the tragic loss of 383,800 soldiers’ lives.

Cevdet Erek’s Alt: Üst at Bristol’s Spike Island initially subscribes to the linear reading of time, but on making the clockwise journey around the show, each of the aforementioned perceptions of time is in some way evident.

Scream in London will be opening an exhibition by Chinese artist Liu Bolin on the 3 April. The exhibition, titled The Heroic Apparition, is the latest in Bolin’s unseen works of camouflage trickery. Based in Beijing, Bolin’s work highlights the socio-political tensions within China.