The use of physical theatre by DV8 honours the company’s name. Deviating from any traditional performative categories, it sits between finely tuned body language, as in theatre, and the body as language, as in dance. The company’s method is well suited to John, whose script retells verbatim an interview with the show’s eponymous hero.
Latitude Platform for Brazilian Art Galleries Abroad brings an energetic programme to Art Basel. Over the next few days, Latitude will support 15 Brazilian galleries in presenting leading contemporary art at Art Basel’s 13th Miami Beach edition.
Frederick Wiseman’s National Gallery takes the audience behind the scenes of a London institution and into the heart of a museum inhabited by pieces of Western art from the Middle Ages to the 19th century. National Gallery is the portrait of a place, its way of working and relations with the world.
A Hayward Touring Show with support from the Art Fund, Art from Elsewhere brings together works that depict different realities of profound global change. This Hayward Touring exhibition, curated by David Elliott, runs at the Gallery of Modern Art.
Derek Jarman is one of Britain’s most important and ground-breaking artists of the late 20th century. The Jarman Award celebrates some of the most innovative filmmaking in the UK today. The 10 shortlisted practitioners all demonstrate a spirit of experimentation and inspiration.
The December/ January issue of Aesthetica is available to purchase online and in stores internationally. In Issue 62, we focus on the unconventional. It’s a celebration of practitioners who are experimenting in their field.
Widely known for her elaborate collages that explore and subvert cultural preconceptions of the female body and the feminine. Wangechi Mutu’s practice has been described as engaging in its own unique form of myth-making.
From an early age Stephen J.E. Davies was fascinated by aeroplanes and flight, especially when studying the Airfix artworks by Roy Cross and the paintings of Michael Turner, as well as many comic book illustrations. Inspired by these artists, he began to create work.
At the 2001 Tate Turner Prize, Yorkshire-born artist Martin Creed (b. 1968) presented Work No. 227: The lights going on and off. Consisting of an empty room, the work existed as, quite literally, the lights in the room going on and off every five seconds, cyclically submerging the room in darkness.
Maverick filmmaker Derek Jarman bequeathed his experimental 8mm reels to the producer after his death, but having deteriorated, many of Jarman’s works were in danger of disappearing for good.
Contemporary art duo Jake and Dinos Chapman return to the town in which they grew up with previously unseen works and brand new commissions, in an exhibition at Jerwood Gallery.
Humans have shared a complicated and necessary history with animals. Loved or abused, these relationships vary greatly depending on our view towards each particular species. There are times where the importance of animals in the lives of humans is misunderstood or forgotten.
Guggenheim Abu Dhabi’s new exhibition introduces the future museum’s curatorial vision through a theme-based collection presentation, featuring artworks by 18 international artists from the 1960s to today and exploring the theme of light.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture.
Noise is Europe’s biggest open community for the best up and coming talent who want to break into the Creative Industries, network and self-promote with an online portfolio recognised by professionals.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as a top international art show.
Joachim Brohm rose to prominence in the 1980s as one of the first photographers in Europe to shoot exclusively in colour. Brohm connected colour photography with an “everyday cultural landscape.”
The Pompidou Centre looks to the work of Bernard Tschumi and unusually, perhaps because Tschumi espouses more theory than most, equal weight is given to both his finalised projects.
