Tom Butler: Inhabitants, Charlie Smith London
After exhibiting across Europe and America, Tom Butler’s latest show builds on the ongoing series of appropriated Victorian cabinet cards. Each subject is transformed as Butler paints each card.
After exhibiting across Europe and America, Tom Butler’s latest show builds on the ongoing series of appropriated Victorian cabinet cards. Each subject is transformed as Butler paints each card.
Four of the UK’s leading galleries will host new works by 30 emerging artists as part of the New Art West Midlands 2015 fair. Artists presented have graduated from one of the region’s degree courses.
The late American artist Jason Rhoades said that parking a car was like “placing a sculpture” then Vienna-based Portuguese artist Hugo Canoilas crashing a car must be an act of performance.
As we enter the final week countdown until the Aesthetica Art Prize opens at York St Mary’s, we speak to Irish artist Suzanne Mooney to learn more about her shortlisted pieces Come Away, O’… .
Darren Baker opened summer 2014 and works to promote established and emerging artists. Named after the artist in residence, the gallery breaks down the barriers between artist and audience.
Rikka Ayasaki expresses a variety of emotions using red as her theme colour in a very distinctive movement. Her work is held in many private collections in France, Japan, UK, USA and others.
Anna Lilleengen was longlisted in last year’s Aesthetica Art Prize with her piece Sublime Forest. Based in Yorkshire and Sweden, Lilleengen uses a physical process and deteriorating camera.
Pronoia: Paranoia In reverse, an exhibition curated by Sophie Nibbs, provoked the audience to consider the pressure to constantly pursue happiness.
This solo show from Irish artist Sean Lynch takes as its focus the DeLorean car factory, which operated in Dunmurry, Belfast, for one year from 1981-1982.
The 12th edition of the Sharjah Biennial, in the UAE, curated by Eungie Joo, opened on 5 March to an exhibition of 51 artists that were representative of the region and the rest of the world.
This March artists Marianna Simnett and Lucy Clout, winners of the Jerwood/FVU Awards 2015, premiere new moving-image works at Jerwood Visual Arts. We speak to Simnett about her work Blood.
Edmund Clark’s work has always explored politics on a domestic scale, through photography, found imagery and text. The Mountains of Majeed, is currently on display at Flowers Gallery, London.
The crowd of collectors, curators, artists, journalists and cultural aficionados were here for the opening of the studio facilities of the Davidoff Art Residency, the local leg of the Davidoff Art Initiative.
Living and working in Spain, Blacker uses performance, sculpture and drawing to explore themes of symmetry and precision. Her piece The Noble Gases appears in the Aesthetica Art Prize.
Mariko Mori is fascinated by Möbius strips, and in Cyclicscape at Sean Kelly Gallery, creates sculptures which play upon the idea of an infinite loop.
This year marks Zabludowicz Collection’s 20th anniversary and for its spring exhibition the gallery is showing work by collective The Still House Group.
Encompassing film, painting, sculpture and installation, War Requiem explores victimhood and the imagination through thick impasto paintings which transform before the eyes into nameless portraits.
We speak to dancer Kiara Flavin, who plays Young Cathy in Northern Ballet’s transformation of Emily Brontë’s classic novel Wuthering Heights.
One of eight finalists, British artist John Keane has been shortlisted in the Aesthetica Art Prize 2015. Keane’s dramatic Fear paintings draw on archival images from the great Stalinist terror.
