Dylan Fox’s practice explores the physical, medical, emotional and social elements of gender transition, specifically designing works to replicate feelings of frustration.

For Watched! – Surveillance Art and Photography, C/O Berlin and the Deutsche Börse Photography Foundation address the culture of surveillance.

Hull UK City of Culture 2017 recently launched, kick-starting a 365 day programme of cultural events and creativity inspired by the area.

An award-winning artist based in New Zealand, Shirley Cresswell has developed an attention to light, resulting in three-dimensional compositions.

Jeu de Paume joins forces with the Centre Pompidou for a retrospective of Eli Lotar, which draws upon the Centre’s photographic archives.

The A’ Design Award was founded in 2010 in order to highlight, advertise and become an advocate for design that looks towards a better future.

Mahmoud Bakhshi centres on the infamous Cinema Rex fire in Abadan, South Iran, as the focus of a new immersive installation.

The Van Nelle Fabriek factory will play host to the eighteenth edition of Art Rotterdam, returning this February for a celebration of the industry.

For taxidermist and jeweller, Julia deVille, the most considered aspect of creation is finding a balance between pathos, humour and dignified realism.

The Deutsche Börse Photography Foundation Prize touring details have been announced for 2017, starting at The Photographers’ Gallery, London.

Nathan Coley explores the ways that architecture reflects on and conditions the social environment at Parafin Gallery, London.

Thomas Dane gallery, London, hosts Kasten’s first solo, UK-based exhibition, introducing the medium of moving image for the first time.

In a world dominated by digital technologies, the authenticity of Jeff Cowen’s (b.1966) work has a distinctive appeal.

Yorkshire Sculpture Park, Wakefield, questions what we know and understand about architecture in the group exhibition [Re]construct.

Through film and sculpture, with a particular emphasis on sound, Oliver Beer considers the physical properties and emotional values of objects.

The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.

Brooke DiDonato pairs human experiences with uncanny visual elements and invites the subconscious into a playground of domestic settings.

Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.

Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.

An investigation into the relationship between narrative and imagery characterises the work of American artist Lisa Oppenheim.