Colossal Relics
The first major solo exhibition dedicated to the British artist Damien Hirst in Italy since his 2004 retrospective opens across two Venetian venues.
The first major solo exhibition dedicated to the British artist Damien Hirst in Italy since his 2004 retrospective opens across two Venetian venues.
Anne-Marie Filaire’s Temporary Security Zone at Mucem features a body of work that is dense, engaged, rigorous and monumental.
Design Museum marks the centenary of the Russian Revolution. Imagine Moscow explores the city as it was envisioned by a bold generation of architects.
At the heart of Future Now is the understanding that bringing artists together encourages discussion, our portfolio reviews reflect this.
On Kawara’s One Million Years (Reading) opens at Venice Biennale 2017, calling upon volunteers to gather and list dates from the future and the past.
The inaugural Nigerian Pavilion comes to the Venice Biennale featuring the work of three leading Nigerian artists and exploring themes of identity.
Joel Meyerowitz: Towards Colour documents a seminal movement away from monochrome into the search for tonal complexity.
Jane Gottlieb’s compositions are a saturated depiction of cities and nature, reworking recognisable locations into hallucinatory snapshots.
Creatives from the 2017 Aesthetica Art Prize shortlist and longlist participate in a closing event at Future Now; hear from this year’s line-up.
This year’s Belfast Photo Festival challenges the colour binaries of pink and blue that are commonly assigned to newborns at birth.
Culture Shifts: Global at Open Eye Gallery explores the dynamic urban landscapes of Liverpool and Hong Kong as the cities seek to redefine themselves.
Sarah Perks (HOME, Manchester) delves into the various worlds of Artists’ Film, and the spaces in-between, ahead of a session at Future Now.
Future Now illustrates Aesthetica’s commitment to promoting emerging artists, offering portfolio review sessions with influential organisations.
kennardphillipps dig into the surface of words and images to visualise the connection between the oppressed and the political elites of the everyday.
Jean Davis paints abstracted figures placed in ambiguous settings. Her work focuses on themes of the impermanence of place and uncertainty of perceptions.
Ahead of a panel alongside Aesthetica, Corridor8 and Elephant Magazine, Christiane Monarchi expands on digitalised culture.
The finalists for Art Fund’s Museum of the Year have been announced including Tate Modern, The Hepworth and Sir John Soane’s Museum.
Yuge Zhou is a Chinese born, Chicago-based artist whose video and installation works explore the complex interactions between humans and their environment.
The status of the gallery is in flux, demonstrating why arenas for discussion such as Future Now are vital to making sense of the art world.
