Cultural Perspectives
A new book published by Prestel delves into the recontextualisation of images, considering how photography creates layers of understanding.
A new book published by Prestel delves into the recontextualisation of images, considering how photography creates layers of understanding.
Zacharie Gaudrillot-Roy’s Façades is an intriguing conceptual series that focuses on the ever-imposing nature of superficiality and visual preconception.
Sydney-born George Byrne creates collage-like images that depict landscapes as painterly abstractions, utilising the process of reduction.
Deeply influenced by modernist canons, Emre Yunus Uzun, an emerging designer, looks to the future of production through material integrity.
Interested in the elements that sit below the surface, Dean Bradshaw’s conceptual compositions focus on the finer details that define the exterior.
Jeanette Hägglund is a Swedish photographer based in Uppsala who has worked in the industry for 12 years across advertising and portraiture.
The ever-changing face of fashion is exemplified through a unique label that combines digital origins and clean styling with an ethical commitment.
Tania Franco Klein’s works uncover the darker elements of culture from over-consumption and media over-stimulation to emotional disconnection.
Both universal landscapes and personal experiences are represented in a new publication that considers the wider effects of architectural tourism.
Combining unprecedented technologies with traditional techniques, Lucy Johnston navigates the future of design.
Clarissa Bonet (b. 1986) is a Chicago-based artist whose work explores aspects of urbanness in both a physical and psychological context
Cig Harvey returns to Aesthetica with images from You an Orchestra You a Bomb, a new photobook that pays attention to the fragile present.
A major retrospective offers audiences an unprecedented understanding of an artist whose vision has been shaped by accelerating worlds.
Tekla Evelina Severin is an interior architect who since 2010, has been working in the multidisciplinary fields of art direction, set design and photography.
At Light’s Edge provides desolate views of American landscapes illuminated by eerie distress signals – messages coming from above or vice-versa.
With a keen attention to textural detail, Elise Mesner finds unexpected dimensions and translates everyday scenery into a halcyon summer.
Eric Dufour’s practice is based upon the desire to evoke a variety of emotions and concepts through compositions devoid of unnecessary content.
The third edition of Foto / Industria biennial looks at the wider effects of industrialisation and global development through contemporary photographers.
Over the past four years, Hayley Eichenbaum has documented the remnants of Route 66, resulting in the pop-coloured The Mother Road series.
