Catriona Millar
There’s an appealing innocence to both Miller’s paintings and her enthusiasm as she chats from her Aberdeenshire studio across a thin, crackling line.
There’s an appealing innocence to both Miller’s paintings and her enthusiasm as she chats from her Aberdeenshire studio across a thin, crackling line.
Scrutinizing the fabric of contemporary culture to reveal the fragility of the notions of society, ethnicity, and identity: this is the essence of Reza Aramesh.
Public art, that which is produced for the passerby and within the public sphere, functions as a starting point for aesthetic discourse and interaction.
Situated on walls, the pavement, telephone poles, windows, billboards, trains, cars, houses – but rarely do we stop and look at it: urban art is ubiquitous.
James Baldwin once stated, “The power to define the other seals one’s definition of oneself – who, then, in such a fearful mathematic is trapped?”