For the American Prospects series, Joel Sternfeld traverses the US in order to capture the essential character of the country.

The Photographers’ Gallery, London, hosts the first major exhibition (since 1999) of Roger Mayne, including the notorious 1960s snapshots of London.

India Art Fair is South Asia’s principal showcase of contemporary art and a gateway to the region’s cultural produce returning to New Delhi from 2-5 February.

From Selfie to Self-Expression is the world’s first exhibition documenting the history of the selfie, exploring its roots and cultural relevance.

Helen Knowles’ The Trial of Superdebthunterbot is a piece of conceptual art where the calculation of guilt is tried and tested.

An uncompromising pursuit of photography’s possibilities has guided Stephen Shore’s career, from the prints he made as a teenager to his recent practice.

After Us, from the K11 Art Foundation, and the New Museum, examines the possibilities that alternative digital personalities facilitate.

Sonia Boyce centres on a performance piece that explores issues of power in the interplay between an audience and those on the stage at ICA, London.

Daisuke Yokota embarks upon investigations into the tactile aspects of photography, seeking to provide new perspectives on the medium.

Within the digital domain, art is given the ability to transcend physical and conceptual boundaries, to break free from the frame.

Internationally renowned, the Aesthetica Creative Writing Award is now open for entries for its 11th year, inviting both emerging and established writers.

Japanese artist Tamao Narukawa takes a poetic approach, using metaphors and parables, creating a juxtaposition of humour and seriousness.

The 11th award is now open for entries, until 31 August, offering two separate accolades: the Main Art Prize and the Emerging Art Prize.

Located off the coast of Lanzarote, Europe’s first underwater museum lies in wait beneath the waves, the Museo Atlántico took two years to complete.

The idea of “negative space” is essential to British artist Oliver Beer, who confronts the audience with what is not there and highlights the emotional value of objects.

Riot Grrrls celebrates a plethora of loud and adventurous paintings by female artists. The exhibition responds to the sexism that pervades the creative world.

The highly artistic vision of Hong-Kong based Nadim Abbas is surveyed in Camoufleur, a site-specific installation combing camouflage and the public gaze.

At a time of mass displacement, Richard Mosse depicts migrants through a weapons-grade camera that enters the eye of a missile.

Whitechapel Gallery is looking back and assessing Eduardo Paolozzi’s (1924-2005) spectrum of work across collage, sculpture and print.

With renowned album art from bands such as The Rolling Stones, The Beatles, Pink Floyd and David Bowie, the power of cover art is something to be marvelled at.