Commercialism and Fine Art
In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.
In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.
Helen Marten has been awarded the 2016 Turner Prize, as announced at Tate Britain earlier this week, one of the best-known projects for the visual arts in the world.
Art Stage Singapore returns for a seventh time in January, kick-starting the season and bringing together work from 108 exhibitors and 26 countries.
Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.
PHOTOFAIRS, The World Photography Organisation’s international art fair, comes to San Francisco for its first US edition, dedicated to presenting fine art photography.
The Griffin Art Prize is designed “to have a meaningful impact” on the career of one recent art school graduate, boosting the ambitions of an emerging painter.
Calvert 22 Foundation, London, announce Michał Siarek as the winner of the New East Photo Prize, an inaugural award for perspectives of countries of the New East.
Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
A new exhibition of renowned architect Zaha Hadid (1950-2016) showcases not only a practice as a structural designer, but also reveals her work created as an artist.
Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.
Iván Navarro opens a new exhibition in New York in which layers of social and political depth are identified through sculpted silence.
Thames & Hudson’s encyclopaedic volume surveys the innovations of inspired practitioners from the 19th century up until the present day.
The National Gallery of Victoria, Melbourne, explores Viktor&Rolf’s notion of wearable art through a selection of their most iconic works.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
This year’s second edition of world-leading museum conference, Communicating the Museum proved one of the most interdisciplinary yet.