Patricia Mato-Mora is a London-based ceramic artist and writer. Her work was selected for this year’s Aesthetica Art Prize longlist and is featured in 2015’s guide to pioneering artists, Future Now.
Sarah Lucas will present her much anticipated solo exhibition in the British Pavilion as part of the 2015 Venice Biennale. Most recently, a survey of her work featured at Tramway in Glasgow.
Swiss-born artist Pamela Rosenkranz’s work embodies a foreboding view of the contemporary world and its central tenets. Her latest exhibition Our Product at the Venice Biennale is no exception.
A short film about the Aesthetica Art Prize Exhibition 2015 is now available to watch, presenting insights into the work of the shortlisted artists through interviews, clips from the preview night and close ups of the stunning pieces.
The first large-scale survey of Land Art took place at MOCA, Los Angeles, in 2012. This exhibition looked at the historical origins of artists’ interactions with landscape. Featured in issue 48.
In Carol Bove’s first show at David Zwirner, London, The Plastic Unit, the subtle elegance emitted from the Mayfair townhouse, is sharply placed at odds with Bove’s curious combinations of materials.
In a selection of previously unseen collaged and painted sketchbooks, rarely seen super-8 films and recent tapestries, this show follows the development of ‘provincial punk’ in the early 1980s
In the setting of the Giardino della Marinaressa, and as an official Collateral Event at la Biennale di Venezia, YSP presents a major open-air exhibition of sculptures by Ursula von Rydingsvard.
Historical Futures brings together the works of Blair Cahill, Cheryl Papasian, Necole Schmitz and Alex J Wood that incorporate traditional, craft-based media to examine the contemporary world.
In 2014 the Museum of Modern Art hosted a retrospective of the work of artist Christopher Williams. The show displayed iconic pieces which unravel the parade of contemporary media.
Since 2008 Swedish artist Tobbe Malm has been living and working in Norway and creating his metal sculptures full time.
Light Show at MCA Australia explores the versatility of light as a sculptural medium through installations from a diverse selection of international artists.
Fresh from New York, The Still House Group brought its brand of ever-evolving DIY art to London for the first time in Testing Ground: Still House Group at the Zabludowicz Collection.
FACT’s four annual exhibitions includes a selection of international new-media art, beginning with Group Therapy: Mental Distress in a Digital Age.
The Tiwani Contemporary, London, draws inspiration from the age-old role of storytelling and gathers together four international artists for its latest group exhibition, entitled Mythopoeia.
Working with limited colour and gesture, Lee Ufan believes in retaining an economy of representation while attempting to create the maximum resonance.
Cuban art collective, Los Carpinteros, is formed of duo Marco Castillo and Dagoberto Rodríguez who create humorous installations and sculptures.
Jason Covert was longlisted in the Aesthetica Art Prize with his work Excavation, a personal journey through one man’s fears. Based in New York, Covert’s practice spans a range of media.
Art Brussels returns for its 33rd year this April. Ahead of the opening, we speak to artistic director Katerina Gregos about her favourite parts of this year’s fair and her work with not-for-profit spaces.
