Q+A with Experimental Artist Val Wecerka
Val Wecerka’s practice demonstrates a curiosity with both form and content. We catch up with her to discuss the stimuli behind her diverse oeuvre.
Val Wecerka’s practice demonstrates a curiosity with both form and content. We catch up with her to discuss the stimuli behind her diverse oeuvre.
Manifesta’s 11th edition runs until 18 September. The nomadic festival was initiated in response to the new social, political and cultural reality that emerged in the aftermath of the Cold War.
With a wry sensibility, Leeds-born Marcus Harvey explores what it means to be British, deconstructing identity through a collision of humour and art.
Hauser & Wirth unites the practices of Kurt Schwitters and Hans Arp, in the context of works by the Joan Miró, in a new show to mark the centenary of the Dada movement in the city of its birth.
This year, the UK’s largest contemporary art festival, Liverpool Biennial, sees 42 artists creating work at locations across the city, from Tate Liverpool to Cains Brewery to local supermarkets.
The impulse to preserve and save objects, which is fundamental to the whole enterprise of museums, galleries and other collections, comes under scrutiny in the New Museum’s latest multi-floor exhibition.
At Pace London, the gallery has come alive with Louise Nevelson’s ingenious forethought that was at the epicentre of illustrious career and life.
This summer Hauser & Wirth Zürich celebrates the work of the late American sculptor, painter and draughtsman, David Smith. The artist transformed the innovations of European modernism into a richly diverse new artistic language.
Works of Alexander Calder and Fischli/Weiss, from the early and late-twentieth century are now in dialogue, thanks to the Fondation Beyeler.
Conceptual Art in Britain 1964–1979, currently on show at Tate Britain, explores a pivotal period in British art history. We speak to Andrew Wilson, Curator, about this landmark exhibition and its accompanying publication.
Artist Fanny Allié explores the outlines of the human form, using collage and emotive neon installations, to question our relationship with our bodies.
Sophie Holland, one of the graduating students at Plymouth College of Art talks to Aesthetica about her artistic practice and her future plans.
Italian artist Francesca Pasquali creates innovative sculptures from everyday objects, concentrating on the semantics behind the very materials of her work.
The Auckland Art Fair 2016 edition heralds a shift in focus to contemporary art of the wider Pacific region and brings together 40 galleries from New Zealand, Australia, the Pacific, and South America.
Today is the final day of the inaugural Future Now Symposium. Sessions include The Future of Art and Culture, Permanence of Print II and Public and Private Galleries.
Making reference to Foundling Museum’s heritage, Cornelia Parker invites over 50 artists, writers and musicians to respond to the thematic concept of “found”.
Future Now Symposium opens today at York St John University and continues tomorrow, with a two-day programme of talks, panel discussions and portfolio reviews.
Amidst the season of Degree Shows, students across the UK are finalising and displaying their works as part of a nationwide collective of talent.
Future Now: The Aesthetica Art Prize Symposium is an opportunity for artists and those working in the creative sector to network, discuss best practice and build new collaborations. On Day Two of the event, sessions include the Future of Art and Culture, Talent Development, and Funding and Commissions.
