2017 sees the 35th edition of Art Brussels, one of Europe’s most significant fairs. Since its inception, the festival has evolved into an influential event.

Who’s Afraid of Colour? at the National Gallery of Victoria, Melbourne, brings together over 200 creations from 118 indigenous Australian women.

Making Africa is a collaboration of over 120 artists who aim to provide a new insight into contemporary African design, celebrating its impact upon the art world.

Please Return Polaroid shares a rare insight into the technical processes of shoots: from storyboarding and initial ideas to the finished composition.

Anne Hoerter discusses the development of a practice based upon the intersection between still life painting and technology.

Celebrated in a major exhibition at Marian Goodman Gallery, Paris, the first in over two decades, Matta-Clark is showcased as a 1970s avant-garde legend.

The Donata Pizzi Collection is now revealing one of the widest representation of Italian women photographers ever exhibited in the last 20 years.

Stephanie Pfriender Stylander discusses the tensions between Eastern and Western culture and fragments of personal histories in her compositions.

Marking Magnum Photos’ 70th anniversary nearly 20 photographers come together to depict the refugee crisis since the second world war.

FIELD WORK from Tiwani Contemporary brings together eight contemporary artists whose creative practice has foundations in the analysis of the mechanics of history.

The inaugural edition of Photofairs San Francisco launches this January, expanding upon the photography showcased in the Shanghai fair.

In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.

Art Stage Singapore returns for a seventh time in January, kick-starting the season and bringing together work from 108 exhibitors and 26 countries.

Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.

PHOTOFAIRS, The World Photography Organisation’s international art fair, comes to San Francisco for its first US edition, dedicated to presenting fine art photography.

Calvert 22 Foundation, London, announce Michał Siarek as the winner of the New East Photo Prize, an inaugural award for perspectives of countries of the New East.

Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.

Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.

Taking domestic settings as a focus, Gregory Crewdson is a master of conceptual narratives played out within the environs of the everyday.

Romina Ressia’s work is an analysis of contemporary society. Classical influences can be seen across her oeuvre as a method of decoding modernity.