Façades are designed to conceal hidden realities. Exhibitions running 13-14 January construct and dissect exteriors to investigate such illusions.

Brassaï’s evocative body of work examines daily life in Paris. His images of the nocturnal landscape make meaningful use of light.

White Cube showcases Andreas Gursky’s Rückblick. The artist’s monumental photographic work critically examines the impact of capitalism.

Jules Spinatsch explores the pervasive nature of technology in the 21st century, investigating the relationship between humans and machines.

In 2016, a “World’s Top 100 Artists” list included only 22 women. London Art Fair addresses issues of representation through Dialogues.

Jon Setter’s images feature geometric fragments, eradicating all structural complexities and conveying a simplified, poetic expression of surrounding spaces.

A retrospective tracks the career of Balthasar Burkhard, an artist who transforms two-dimensional images into monumental pieces.

The average American spends 93% of their life indoors. Lucas Foglia investigates the relationship between society and nature.

Liverpool is undergoing a period of urban transformation. Tom Wood commemorates an integral part of the community’s quotidian.

Stephen Shore’s Uncommon Places traverses the American vernacular landscape with an objective eye.

Swiss photographer Willy Spiller’s chronicles of life in L.A and New York foreground the absurdity of the quotidian.

Chou Ching Hui’s unflinching satirical eye is key to the success of a series compositions, providing an alternate view of reality.

In 1951, Elliot Erwitt was drafted into the US Army. Carrying a Leica camera, the practitioner began crafting an enduring legacy.

A retrospective of works by Susan Meiselas at Jeu de Paume, Paris, questions the nature of documentary photography.

Structures define the everyday human experience. The selection for 6-7 December examines the varied manifestations of the term.

Michael Wolf’s focus lies within mega cities, capturing the monumental architecture and vernacular culture of the metropolis.

In Ivan Mikhailov’s city, rockets are reinvented for use in children’s playgrounds. The disused icons are a subject for an exhibition.

Landscape photographer Toshio Shibata investigates the boundaries between man made structures and nature.

Notions of identity were challenged in the 20th century. MOCA recognises this history by bringing together three influential practitioners.

Hiroshi Sugimoto: Gates of Paradise follows the narrative of four Japanese boys, documenting the monumental sites visited in the 16th century.