Jane Gottlieb’s latest solo show is at the Art, Design & Architecture Museum at the University of California, Santa Barbara, until 29 April. We speak with her about the exhibition.

Boomoon’s Skogar, on display at Flowers Gallery, documents a sublime encounter between the photographer and the natural world.

Dreamy doesn’t do justice to Maia Flore’s images, on show at Galerie Esther Woerdehoff, Paris. Au lieu de ce monde places physicality at the centre.

Hans Strand’s images, on display in Manmade Land at Fotografiska, Stockholm, highlight the tragic beauty of the curated landscape.

Olaf Otto Becker’s photography makes the impact of human intervention visual through an engagement with sublime natural landscapes.

Photographer, researcher and archivist Dan Holdsworth uses high-tech software to examine the world’s changing natural topographies.

Examining the changing definition of architecture after modernism, Gordon Matta-Clark’s work offers insight into deconstruction,

An exhibition of works by Cindy Sherman focuses on existential ideas, exploring dream landscapes, fantasy worlds and deep-rooted fears.

From future cities to manufactured histories, exhibitions open 14-15 April surpass the temporal world to offer new visions of reality.

Gillian Hyland, who is part of the Aesthetica Art Prize, crafts highly-stylised images engaging with notions of desire and nostalgia.

n a portfolio completed toward the end of her career, Diane Arbus invites us to look, uninhibited and free from the confines of society.

Magnum photographers offer striking images of the student protests in France during May 1968, a time regarded as the start of postmodernism.

Ellen Jantzen unearths new states of reality through digital manipulation, looking beyond the surface to reveal new layers of meaning.

Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.

Finnish photographer Elina Brotherus combines her past with tropes from the history of art, forging personal and universal connections .

Jocelyn Lee’s portfolio of photographs offer intimate moments, presenting a subtle yet powerful statement about the female experience.

Francois Ollivier’s approach is based on wandering and accepting the impromptu, magnifying the most common things into the poignant or magnificent.

Formerly a cinema set painter, Lorenzo Vitturi’s photographic style in infused with performativity. Money Must be Made opens at Flowers Gallery.

Evora Africa is a celebration of African heritage, offering fresh perspectives on the modern world and the experiences of young people.

Offering a comprehensive overview of contemporary photography, a new exhibition presents images which depart from convention.