American photographer, Bryan Schutmaat, is concerned with nostalgia and its representation within the context of the landscape of the American west.

In his series, Fake Holidays, Reiner Riedler traverses the boundaries of place by examining reality within the context of the staged and created.

A major Cindy Sherman retrospective opens at MoMA, probing gender and identity politics from all angles. The artist is in front of and behind the lens.

The first comprehensive exhibition to examine how UK artists and designers have produced acclaimed works, from post-war to the present day.

Showcasing over 150 works, this major exhibition examines the diversity and complexity of art produced during the tumultuous 1980s, a transformative time for culture and society.

Inviting a close examination of artworks based on commonplace objects and situations, Lifelike is an international, multigenerational group exhibition.

Conversations: Photography from the Bank of America Collection is now on show at the Irish Museum of Modern Art.

Pointing a camera at a band isn’t really filming a concert; Adam Smith and Marcus Lyall tell us how they made the Chemical Brothers’ Don’t Think seem so real.

It’s hated by artists, ridiculed by label owners and seems to have outworn its welcome by nearly two decades. So why is the label Intelligent Dance Music still being used?

Jes Benstock chats about his latest film, which charts 40 years of sculptor Andrew Logan’s eccentric and kitsch Alternative Miss World beauty Pageant.

Meet the Staves: three sisters from Watford in their early 20s compelling talents. Their second EP, Mexico, features three delicately assembled ballads.

Puppet theatre is often associated with children’s theatre but can the dark honesty offered by inanimate objects connect with an adult audience?