Into the Woodland
Photographs by Neil Burnell trace the sensory experience of being outdoors, capturing hidden vegetation, green thickets and secluded clearings.
Photographs by Neil Burnell trace the sensory experience of being outdoors, capturing hidden vegetation, green thickets and secluded clearings.
Tania Franco Klein, whose works are held by MoMA and Getty, holds a mirror up to the various effects of time spent online, such as disconnection, performative stress and media overstimulation.
Morgan Otagburuagu is standing up against colourism. He amplifies the beauty of darker skin tones with portraits of Black women pioneers.
At a time when it can be hard to decipher “real” from “artificial”, National Geographic Photographer Reuben Wu shows us what it is possible to create on location, using light carrying drones.
Es Devlin explodes the status-quo, pushing artistic boundaries between literature, stage and set design in a major New York exhibition spanning 30 years.
NGV Triennial calls for collective activity in the face of climate crisis, with John Gerrard’s ominous digital flags reflecting on the impact of the oil industry.
Polina Washington has a background in film cinematography. Light and colour are key to her work, where a lone sunbeam tells a story.
The Gobi Desert is listed amongst the top 10 largest in the world. Jonas Daley’s landscapes capture its imposing rocky mountain ranges in pastel hues.
Simon Norfolk follows Afghanistan’s central highlands across the four seasons, watching summertime bleed into autumn and winter.
Feathers, leaves, balloons, paper cranes and butterflies. Fares Micue returns to Aesthetica with her joyous, inspiring self-portrait series.
For French photographer Anne-Laure Étienne, taking pictures is as much about shooting as it is about freedom, movement and performance.
Themes of empowerment, authenticity and play are central to Tamara Dean’s practice. In this long read, we catch up with her about what’s new – including a Thames & Hudson monograph.
Elsa Bleda turns her gaze skywards, picturing lightning as it strikes tumultuous clouds. The images are made at midnight in South Africa.
Photographer Ellie Davies presents a new book that revels in feelings of mystery provided by forests. She uses the lens to address climate issues in the UK and beyond.
Dublin-based Sarah Doyle harnesses bright colours and experimental shapes as a way of travelling to and inventing vast new horizons.
Colour is tied up with the architecture of power and control. Kapwani Kiwanga shows us how, in aesthetically pleasing, immersive installations.
Origami boats sail through seas of paper-cut leaves in JeeYoung Lee’s constructed studio scenes, acting as windows to an inner world.
We Need Colour is satisfying in its visual style and co-ordination: eyeshadows, backgrounds clothing and props are all carefully matched.
Media representations of Africa are all too often based on clichéd views. Aïda Muluneh is pushing past these narratives with her surreal storytelling.