Portraits in Bloom
The boundaries between self and organic world dissolve in Tamara Dean’s portraits, as the artist navigates bright bushes and towering treetops.
The boundaries between self and organic world dissolve in Tamara Dean’s portraits, as the artist navigates bright bushes and towering treetops.
Frank Relle travels along Louisiana’s waterways, recording otherworldly images of cypresses by using an intricate lighting system rigged to his flatboat.
Renowned architect Kengo Kuma reflects upon a decade of structures, dedicated to renewing the bonds made between nature, people and places.
Svetlana Talanova makes her works by hand in the darkroom, using photosensitive paper to show how patterns can often recur across humans and plants.
Photomontages by Daniel Rose collide leaves and branches with geometric shapes, offering a fresh new perspective on the Japanese art form of ikebana.
Nuno Serrão’s minimalist images offer small parts of wider and complex narratives that are united by cinematic aesthetics and a sensitivity to the world.
Chrissy Lush’s figures are often set within domestic and suburban environments, responding to external pressures located just outside the picture frame.
Linda Westin brings methods from neuroscience into artworks. These pictures present forest canopies like portals into other worlds, where the skies glow.
In portraiture, Senay Berhe demonstrates a considered approach to framing and lighting, whilst also emphasising the depths of human emotion.
A new publication highlights BIG’s two-decades-long pursuit of innovative architectural forms that surprise, engage and transform the way we live.
West African symbolism, cinematic storytelling and personal history come together in a celebration of Côte d’Ivoire’s photographic landscape at ICP.
Harold Ross’s long exposure Night series, in which trees and clearings are bathed in a bright white glow, evokes a feeling of enchantment and mystery.
Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.
How nine photographers have shaped visions of Japan’s post-war architecture, whilst offering new and innovative suggestions for the genre’s future.
Striking underwater pictures feature in a brand new compendium dedicated to contemporary image-makers from across Australia and New Zealand.
Experimenting with analogue cameras to capture dreamlike, sun-dappled pictures of plants, petals and leaves that seem to drift in and out of sharp focus.
Environmental art, photography and sculpture come together in Gjert Rognli’s images, which are inspired by the shifting seasons across northern Norway.
Lotte Ekkel creates interesting crops of buildings and brings details into focus, harnessing natural light as a subject and guide when making pictures in the city.
Brooke DiDonato’s images stretch the boundaries of what is possible, asking us to look at domestic settings, landscapes and everyday objects again.
