In Sanja Marušić’s self-portraits, the artist interacts with an array of structural forms, from bright red metal columns to yellow grid-like environments.

Each of Jan Pypers’ cinematic images starts with scale miniatures of swimming pools, gardens and buildings, carefully constructed inside the studio.

Looking at the past, present and future of houses produced by and for architects around the world, spanning from mid-century to the contemporary.

A major vertical garden in Madrid is transformed, as colours blend into one another, weaving and swirling from the top to the bottom of each and every frame.

From major stadium shows to intimate sketches, the Design Museum traces three decades’ work by Es Devlin, all dedicated to bringing people together.

The role of light and colour comes to the fore in Sabine Marcelis’ latest exhibition, foregrounding luminous objects and mesmerising installations.

Yannis Davy Guibinga is passionate about telling stories rooted in Africa and its diaspora. He uses bright hues and striking imagery to do just that.

Bobby Beasley is a self-taught photographer shaking up documentary style through the use of unexpected camera angles, intense saturation and bright lighting.

Across coasts and forests, architects redefine the myth of the Canadian cabin through site-specific blueprints and more sustainable material choices.

The Aesthetica Art Prize celebrates 20 years with a bold show of visionary practitioners working in film, photography, painting, sculpture and much more.

Hyperreal plant pictures by Tom Leighton ask audiences to step onto another planet, which has been consumed by luminous, verdant undergrowth.

Vijay Sarathy’s evocative pieces respond to the artist’s life in the Himalayas and his own deeply personal relationship with its diverse landscape.

The boundaries between self and organic world dissolve in Tamara Dean’s portraits, as the artist navigates bright bushes and towering treetops.

Frank Relle travels along Louisiana’s waterways, recording otherworldly images of cypresses by using an intricate lighting system rigged to his flatboat.

Renowned architect Kengo Kuma reflects upon a decade of structures, dedicated to renewing the bonds made between nature, people and places.

Svetlana Talanova makes her works by hand in the darkroom, using photosensitive paper to show how patterns can often recur across humans and plants.

Photomontages by Daniel Rose collide leaves and branches with geometric shapes, offering a fresh new perspective on the Japanese art form of ikebana.

Nuno Serrão’s minimalist images offer small parts of wider and complex narratives that are united by cinematic aesthetics and a sensitivity to the world.

Chrissy Lush’s figures are often set within domestic and suburban environments, responding to external pressures located just outside the picture frame.

Linda Westin brings methods from neuroscience into artworks. These pictures present forest canopies like portals into other worlds, where the skies glow.